A Quote by Harmony Korine
I never really feel wrong while making movies. I know myself, and I know that my intentions are pure and I'm on the side of righteousness.
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People in my inner circle of loved ones - we're tight and I've never misjudged someone as far as I know; I can feel someone's intentions, I know their intentions before they probably are honest enough with themselves to know it, so that's my strength.
I've never really viewed myself as particularly talented. I've viewed myself as slightly above average in talent. And where I excel is ridiculous, sickening, work ethic. You know, while the other guy's sleeping? I'm working. While the other guy's eatin'? I'm working. While the other guy's making love, I mean, I'm making love, too. But I'm working really hard at it.
I still feel like I don't know what I'm doing. Like, I'm unsure of what my life will be like. I mean, I have such an obsession with making movies that I probably will always do that. But sometimes my life can feel so suffocating, and then it can feel so massive, like I don't have a handle on it at all, and I don't know where it's going or what I'm going to do. Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
I don't know if I would call it therapy, but filmmaking is really the only thing I know how to do. For me, making movies is a way to bring on change for myself, and I really enjoy that part.
I never really thought about myself being in really big movies at all. In fact, I always though I'd do, I don't know, smaller movies is not quite the right word, but more character-oriented, dramatic things. I took myself a little bit seriously.
I don't really see myself that way, as some typical sexy young ingénue. I've never been that way. And, for a while, there was a disconnect between who I am and how I present myself on a public platform. That was because I didn't necessarily feel comfortable sharing that much of myself with other people who I didn't know.
I prefer movies because the money is better and certainly because you really know where you stand when you are making movies, and I have made a lot of them: 50-something - I don't know.
Sitting in America, we never get to know the other side in any kind of believable way. We have so many movies about Iraq, Afghanistan, and this and that, but there is never a character from that side.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
[When making movies I] set out to be authentic to [myself] and to put it down the way [I] feel it and know it and interpret it. And then others sometimes key into it and get it.
We shall never be clothed with the righteousness of Christ except we first know assuredly that we have no righteousness of our own.
I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.
Because if I let myself feel the pain and the anger, I think it might kill me. Or I might kill someone else. I know it's wrong to feel that way about God and I know its's wrong to not feel anything. I hate it. I don't hate God. I hate not loving Him.
You know when you do 25 or 30 movies and people are still asking you how does it feel making the transition? you know youre not communicating correctly.
You don't know when you're twenty-three. You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems. She didn't know at twenty-three.
Whenever I hear an American say Aussies drive on the 'wrong side of the road,' I just lose it. You ever think about how those people grew up driving on the 'wrong side of the road,' watched a lot of people get hurt on the 'wrong side of the road,' die on the 'wrong side of the road,' while other people cheered from the 'right side of the road'? Australia has a thing called Highway Fights, so it's touchy.
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