A Quote by Haskell Wexler

I think that the whole voyeuristic attitude of filmmakers or of me personally - of shooting documentaries and so forth - is an important issue. — © Haskell Wexler
I think that the whole voyeuristic attitude of filmmakers or of me personally - of shooting documentaries and so forth - is an important issue.
I think that the whole voyeuristic attitude of filmmakers or of me personally - of shooting documentaries and so forth - is an important issue. And it was an important issue to me, personally. And the whole question of when - when do you put the camera down or when do you keep shooting to get the shot. And a number of times in my life I've had that question hit me very hard.
When I first started, I saw myself shooting documentaries or making documentaries, which is what I did, mostly, for a number of years. So it was quite a surprise how I found myself shooting features. It was like my wildest dreams as a kid collided.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
China is a major power in the Pacific and I think we are dealing with some common threats in that region: the whole issue of Korea and the stability of Korea, the whole issue of nuclear proliferation, the whole issue of providing free access to our ships that are operating in that area.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
I think in college they give you a chance to really mature, form yourself and build relationships. I think that’s what a team is all about, and when you build relationships, it shows on the court and that brings out success. I love the whole attitude of staying in college to take advantage of a free education. I just felt like Kentucky wasn’t a fit for me. The whole attitude and approach of the one-and-dones, that’s good for them, that’s their decision. But I think [Duke] Coach [Mike Krzyzewski] is a guru of basketball. I want to learn from one of the best.
I've been encouraging documentary filmmakers to use more and more humor, and they're loath to do that because they think if it's a documentary it has to be deadly serious - it has to be like medicine that you're supposed to take. And I think it's what keeps the mass audience from going to documentaries.
The single greatest issue for me as an environmentalist is climate change. I'd have to say that climate change is the single most important issue facing the environmental community and communities as a whole.
The longer I live the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, than education, than money, than circumstances, than failures, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company . . . a church . . . a home.
I think its very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - its just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.
I think it's very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - it's just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.
I don't think there's so much difference between making documentaries and feature films. I think it's even harder to make documentaries.
I think for female filmmakers a big issue is making their second and third films.
Personally, it all feels like I've been filming just one long film the whole time and I have no personal like or dislike for any of the films that I've done. I feel like all of the all of them are important to me, all of the cast and all the staff that I've worked with have also been very important to me.
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