A Quote by Hayao Miyazaki

I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where they two mutually inspire each other to live– if I’ m able to, then perhaps I’ll be closer to portraying a true expression of love.
What is … important is that we — number one: Learn to live with each other. Number two: try to bring out the best in each other. The best from the best, and the best from those who, perhaps, might not have the same endowment. And so this bespeaks an entirely different philosophy — a different way of life — a different kind of relationship — where the object is not to put down the other, but to raise up the other.
When two people who are in a relationship and want to have fun, they should mutually agree and warn the other person to not get serious. If they mutually agree, then it's fine because they're just having fun.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
You can't actually have a romance between friends. That sort of defeats the definition of the word "romance." The word you're looking for is "love." It's a love between friends, just as there's also love between lovers, or possible lovers, or even ex-lovers. Same holds true for "bromance" - it's just a clever word used to avoid the word love, for straight boys who don't want that old-fashioned taint of gayness. Dudes, you love each other. Deal with it.
Well, what is a relationship? It's about two people having tremendous weaknesses and vulnerabilities, like we all do, and one person being able to strengthen the other in their areas of vulnerability, and vice versa. You need each other. You complete each other, passion and romance aside.
I would want the audience to simply see the character I portray in each movie in its true essence because I feel acting is all about truthfully portraying the character.
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
Sober Thoughts' is a song about an unhealthy relationship I was in with a girl, where we would continue to mistreat each other, to spite each other. We were bad for each other, yet we always came back together, because we thought we 'loved each other.' It was a young love, not a forever love.
The Scoutmaster guides the boy in the spirit of an older brother... He has simply to be a boy-man, that is: (1) He must have the boy spirit in him: and must be able to place himself in the right plane with his boys as a first step. (2) He must realise the needs, outlooks and desires of the different ages of boy life. (3) He must deal with the individual boy rather than with the mass. (4) He then needs to promote a corporate spirit among his individuals to gain the best results.
Just because lips have met doesn't mean hearts have joined. And just because two bodies are drawn to each other doesn't mean two people are right for each other. A physical relationship does not equal love.
As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies... well... babies are complicated.
But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.
It took two," I said. "Two different people to make the Heartwood what it is. Two different experiences, grief and joy, combined. True love never has just one face, does it? It must always have two, or it isn't true love at all.
Romance goes like this: Boy gets girl. Boy loses girl. Boy gets girl again. The end. It can't be any other way.
Believe it or not, people went so far as to suggest that I might not be able to write songs anymore because now I am married. I tried to explain again that there are other things to write about besides boy meets girl, girl meets boy, boy breaks up with girl, girl is sad.
When you're in relationships with people, not every relationship is the same and not every love that you find is the same. The love that you get from each person is totally different. You learn, from each relationship, that there are many different ways that you can love someone.
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