A Quote by Hayao Miyazaki
I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it.
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I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but
it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it.
Slowly, very slowly, like two unhurried compass needles, the feet turned towards the right; north, north-east, east, south-east, south, south-south-west; then paused, and after a few seconds, turned as unhurriedly back towards the left. South-south-west, south, south-east, east.
When I storyboard, they're just fragments of thoughts. I write in three acts like a movie, so I have my plot points up on the preliminary storyboard.
When I'm plotting out a book, I use a storyboard - I'll have maybe three lines across on the storyboard and just start working through the plot line. I always know where relationships will go and how the book is going to end.
This boa, the American columns, are being besieged between Basra and other towns north, west, south and west of Basra… Now even the American command is under siege. We are hitting it from the north, east, south and west. We chase them here and they chase us there. But at the end we are the people who are laying siege to them. And it is not them who are besieging us.
Some have held that there are only four winds: Solanus from the east; Auster from the south; Favonius from due west; Septentrio from the north. But more careful investigators tell us that there are eight.
Well, Art is Art, isn't it? Still, on the other hand, water is water. And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now you tell me what you know.
There are four directions: North, South, East, and West. We are going in the fifth direction, which is the direction of stories.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
I storyboard every shot of my thrillers in general. I draw them out and do them.
I put the storyboard down and came back to it like two weeks later and saw that I had written 'Butt-Head' next to the picture, and it kind of made me laugh and I thought, Well, might as well go for every laugh you can get.
Almost everything I have read about Istanbul talks about it as the gateway to the east. We're so programmed to think of it like that but for much of the world, it's the gateway to the west, or even where north meets south.
Wherever you go, east, west, north or south, think of it as a journey into yourself! The one who travels into itself travels the world.
As a storyboard artist, you have to be able to draw anything.
From Sunbelt to Rustbelt, North to South, East to West, once-thriving cities have become little more than drug-infested slums.
In a compass, we got north, south, east and west, right? But in between that, you got things like north-east - now that, to me, is where real life is. Everybody's life is not straight: it's often 30 degrees to your left, or in the hardest part of the reach.
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