A Quote by Hazel Hawke

The dialogue between women is a rich field, but change does not come without a lot of reading, asking, listening, risk-taking and hard work. — © Hazel Hawke
The dialogue between women is a rich field, but change does not come without a lot of reading, asking, listening, risk-taking and hard work.
It is important to learn from other women. We have a lot to offer and to learn from each other out of our separate and common experience. The sisterhood (including the boilers - the old chooks!) is important to me. The dialogue between women is a rich field, but change does not come without a lot of reading, asking, listening, risk taking and hard work.
One of many strengths that I often see in successful women on Wall Street is a responsible balance between risk taking and risk mitigation - the ability to assess situations smartly and make the right medium-to-long-term decisions without being lured into reckless, short-term profit-taking.
Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little more explanatory. And that requires a good screenplay and good dialogue.
Some people have argued that listening to a work of literature does not really promote literacy in the same way that reading does. Having tried this for several months, however, I can report from the trenches that, for me, immersive listening is as intellectually challenging, stimulating, and rewarding as immersive reading.
Honestly, I've been reading a lot of books on visual art. I've been reading a lot of books by Olivia Lang, I've been listening to a lot of folk and singer-songwriter music, but also a lot of electronic and really hard techno. I'm just trying to create something that pulls from everywhere and that hopefully feels unique.
A hundred for England is special and there's a lot of emotion and a lot of hard work involved in getting back on the field. No one sees the hard work and all the time with the ice machines in rehab.
The difference between listening and pretending to listen, I discovered, is enormous. One is fluid, the other is rigid. One is alive, the other is stuffed. Eventually, I found a radical way of thinking about listening. Real listening is a willingness to let the other person change you. When I’m willing to let them change me, something happens between us that’s more interesting than a pair of dueling monologues.
It's not that I believe women are more ethical. I will say that one of women's greatest weaknesses is probably our greatest strength. We are incredibly hard on each other. We ask all the questions. Men are more easygoing. If you've ever been in a group of women, you'll recognize this: Nobody gives one woman the opportunity to lead the way without asking a whole lot of questions.
Improv relies just as much on listening as it does you delivering dialogue. That's the hard for some people. Some people just concentrate on what they're going to say, and they're not listening. You have to listen in order to see where the other person is going to.
I always tell people that this is a really simple deal: Work hard. If you work hard, follow what's required and set your priorities right, then you can really perform without taking shortcuts. If you're taking shortcuts, you can't be free.
We need to hear everyone. We need dialogue between police and the community. They're angry. They're hurt. A dialogue can cause a shift in consciousness in the person if he's understanding you and listening.
I think it's an uphill battle in every field. You hear late-night comedy is hard on women. And then you hear investment banking is hard on women. And tech is hard on women. And then you start digging, and you learn philosophy departments are hard on women!
Of course risk-taking does not always pay off, but it's a lot of fun!
Gerard Houllier's thoughts on the matter international football echo mine. He thinks that what the national coaches are doing is like taking the car from his garage without even asking permission. They will then use the car for ten days and abandon it in a field without any petrol left in the tank. We then have to recover it, but it is broken down. Then a month later they will come to take your car again, and for good measure you're expected to be nice about it.
Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.
Risk-taking, trust, and serendipity are key ingredients of joy. Without risk, nothing new ever happens. Without trust, fear creeps in. Without serendipity, there are no surprises.
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