A Quote by Heidi Ewing
There's always the question when you're making a documentary if the talking heads will work.
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Making a documentary about my hometown was always going to be the most difficult topic I had ever covered! No question.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
When you're making a real documentary, you shoot it and the movie happens. You don't make - this sounds corny - you don't make a documentary, a documentary makes you. It really does.
My prescription for writer's block is to face the fact that there is no such thing.... Writing well is difficult, but one can always write something. And then, with a lot of work, make it better. It's a question of having enough will and ambition, not of hoping to evade this mysterious hysteria people are always talking about.
I've always slightly harboured a dream of making a film, a documentary feature. Somehow I just got into a way of working a routine of making TV docs. It's not as though you do that enough and then graduate - you sort of need to make a conscious decision to work in a different way.
I think making a documentary gets you out and about more, with people. With stand-up, you're talking at people. With documentaries you're talking with people, and you're listening a lot more.
Not winning a title gives fuel to sportswriters and talking heads who question an athlete's true value.
The last thing I want to become is one of those talking heads where everything is satiny smooth and you know what the next question is going to be.
The last thing I want to become is one of those talking heads where everything is satiny smooth and you know what the next question is going to be
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
Eating, bathing, going to the toilet, talking, thinking, and many other activities related to the body are all work. How is it that the performance of one particular act is alone (considered) work? To be still is to be always engaged in work. To be silent is to be always talking.
I've always slightly harboured a dream of making a film, a documentary feature. Somehow, I just got into a way of working a routine of making TV docs.
Its always great when a director is just supportive of what youre doing. Theyre not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.
To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.
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