A Quote by Heidi Klum
People in the business always say, "You look fabulous." You get that all the time and it kind of goes in one ear and out the other because most of the time they just say that to make you feel good. It's nice when you hear it from an ordinary person and then I appreciate it.
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People say things to me like, 'It's really cool that you don't go out and get drunk all the time and go to clubs.' I appreciate that, but I'm kind of an introverted kind of person just by nature.
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
When you get into this business you have to grow up quickly. But I wouldn't say I've lost any of my childhood, I've always been a mature child. My Mom says I've been like that since I was little kid. I make time for my friends and I make time for things that other kids do. This is a business and I knew what I was getting into. I make time for being a kid, but I also know when to put on my business hat and go for the business.
You hear a lot of people, they turn 40 and it really bugs them and they get depressed or whatever. I don't know - I just don't feel that way. I feel 19 years old all the time. I mean, it's not a lie. I could easily say, God, I feel 70. Or maybe I seem like I'm 70 or 200 or something to other people, I don't know. My brain feels 19 all the time. And that's a good spot.
Ordinarily, I am the person who falls in love quickly and somewhat inappropriately and then goes on to destroy what is a good thing. That's always been my style. So, you know: I get it. And I feel right now the way I imagine all those guys felt with me. And I have to say, for the first time in my life, I feel something approaching compassion for them.
Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.
I don't think the entertainment business in general will ever just be okay with how people are. I think we're in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she's aged beautifully, so I hope that I could be a smidgen of how she's aged. There's nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there's always going to be people out there are going to say something, and there's nothing you can do about it.
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
Sometimes you're just interviewing someone and you're thinking the entire time, How can I get through this really quickly? Because I know this isn't gonna make it. This person is either too long-winded or deathly boring, or they don't have the point of view that supports what you're trying to do in the piece. Or often people misrepresent themselves on the phone - what they're willing to say to you then, they're not willing to say in person.
I have friends that I have made through Twitter or things like that, but they're all verified as real people - I've either seen them perform, or we're mutual fans of each other, something like that. I don't have any authentic. I have a lot of good people in my actual life, but I will say that it's a strange time that we live in - it's easy to make friends and to make connections through social media, and if you're a good-hearted person, sometimes you can just assume people are who they say they are, and that isn't always the case.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
You ever say a phrase you say all the time at the wrong time, feel like a complete idiot? Something like, 'You, too. You, too.' I was getting out of the cab at the airport, and the driver goes, 'Hey, have a nice flight.' 'You, too. You, too. You have a nice flight, too - in case you ever fly some day.
People always fall in love with the most perfect aspects of each other's personalities. Who wouldn't? Anybody can love the most wonderful parts of another person. But that's not the clever trick. The really clever trick is this: Can you accept the flaws? Can you look at your partner's faults honestly and say, 'I can work around that. I can make something out of it.'? Because the good stuff is always going to be there, and it's always going to pretty and sparkly, but the crap underneath can ruin you.
One of the great things about design is that it's truly international. No one in the design industry would say, "This country is mine," or "I will make it look this way because it's for an American market and that way for a Chinese market." If you look at all of the Apple products, they are the same everywhere . . . I mean, I can't deny that I love traveling. It's a very healthy thing to be able to appreciate other cultures - or at least witness them firsthand. And all of that goes into helping someone be a good designer, because it's an international business.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
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