A Quote by Helena Christensen
I find it utterly bizarre that total strangers write about your life in a completely fictional manner.
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Is there an idea more radical in the history of the human race than turning your children over to total strangers whom you know nothing about, and having those strangers work on your child's mind, out of your sight, for a period of twelve years? Could there be a more radical idea than that? Back in Colonial days in America, if you proposed that kind of idea, they'd burn you at the stake, you mad person! It's a mad idea!
Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
Find your own Calcutta. Find the sick, the suffering and the lonely right there where you are in your own homes and in your own families, in your workplaces and in your schools. You can find Calcutta all over the world, if you have the eyes to see. Everywhere, wherever you go, you find people who are unwanted, unloved, uncared for, just rejected by society completely forgotten, completely left alone.
That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
I find it completely irrational to say someone who stands up for life for children is taking the life of adult. It's completely inconsistent with the values of the pro-life movement that are very passionate about protecting life, not taking life.
Finally, you will find that there is no half-measure when it comes to loving someone. You either don’t, or you do with every cell in your body, completely and utterly, without reservation or apology. It consumes you, and you are reborn, all the better for it.
I prefer to write about ordinary people who find themselves in a singularly bizarre situation - that is to say, the one moment in their lives when they are forced to confront danger or mystery.
Everyone you meet in your life - even total strangers - are already intimately connected to you. The idea that we are all separate and distinct beings is nothing but an illusion. We are all parts of a larger whole, like individual cells in a body.
I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
God is so vastly wonderful, so utterly and completely delightful that He can, without anything other than Himself, meet and overflow the deepest demands of our total nature, mysterious and deep as that nature is.
It's amazing to completely focus on something for four, five or six months, have it completely consume your life and be constantly thinking about somebody else's set of circumstances and how they would react to something. I find it fascinating. It's rewarding and on a professional and personal level.
Gertrude Stein said, "I write for myself and strangers." I would say I write for myself, strangers and the great dead.
[On President Clinton's address:] It was the worst inaugural address of our lifetime, and I think the only controversy will be between those who say it was completely and utterly banal and those who say, 'Well, not completely and utterly.
For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.
She saved my life...and I’ve ruined hers. They sat in silence for a full minute, the air between them growing heavy, as if they both wanted to speak, and yet had nothing to say. They were strangers, after all, on a brief and bizarre journey that had just reached a fork in the road, each of them now needing to find seperate paths.
What really annoys me are the ones who write to say, I am doing your book for my final examinations and could you please tell me what the meaning of it is. I find it just so staggering--that you're supposed to explain the meaning of your book to some total stranger! If I knew what the meanings of my books were, I wouldn't have bothered to write them.
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