A Quote by Henry Adams

Henry James chews more than he bites off. — © Henry Adams
Henry James chews more than he bites off.
You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do - and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time.
I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.
I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.
I write longer sentences than most of the others, maybe because I probably like Henry James more than they do.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
While reading writers of great formulatory power — Henry James, Santayana, Proust — I find I can scarcely get through a page without having to stop to record some lapidary sentence. Reading Henry James, for example, I have muttered to myself, "C’mon, Henry, turn down the brilliance a notch, so I can get some reading done." I may be one of a very small number of people who have developed writer’s cramp while reading.
I was in Venice teaching, so I reread Henry James's "The Wings of the Dove." I love James.
That is the mystery: Reading Henry James can yield prose that is contrary to James, yet inspired by him. Who can understand this?
A man begins cutting his wisdom teeth the first time he bites off more than he can chew.
We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an ex­ternal, active, work project.
I don't think people believe that any more, I don't think people think that it really matters whether you appreciate Henry James more than Theodore Dreiser.
[Henry] James is much more complex than Jane Austen. That's why it's not so easy to adapt him. People expect a nice period piece, but that's not always the case. There's a deep human mystery in his work.
I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
This site uses cookies to ensure you get the best experience. More info...
Got it!