A Quote by Henry Adams

History is a tangled skein that one may take up at any point, and break when one has unravelled enough. — © Henry Adams
History is a tangled skein that one may take up at any point, and break when one has unravelled enough.
Yet through all, we know this tangled skein is in the hands of One, Who sees the end from the beginning: He shall unravel all.
There can be no summary and dramatic end to a marriage - only a slow and painful unravelling of a tangled skein of threads too stubborn to be broken.
When you are gripped by fear in the face of an experience that will take you beyond your comfort zone, you may be at a point of supreme opportunity. You can either break down or break through.
The world bursts at the seams with people ready to tell you you're not good enough. On occasion, some may be correct. But do not do their work for them. Seek any job; ask anyone out; pursue any goal. Don't take it personally when they say 'no' - they may not be smart enough to say 'yes.'
The important point is that the cost of adding a feature isn't just the time it takes to code it. The cost also includes the addition of an obstacle to future expansion. Sure, any given feature list can be implemented, given enough coding time. But in addition to coming out late, you will usually wind up with a codebase that is so fragile that new ideas that should be dead-simple wind up taking longer and longer to work into the tangled existing web. The trick is to pick the features that don't fight each other.
Yeah, don't you take a break?" "I don't have time for breaks." "That's the whole point of a break. When you've got no time, you need a break.
"Tangled Up in Blue," shifts perspective several times during the song to tell a "tangled" version of [Bob] Dylan's marriage and dissolution.
Any idea can be brought into the classroom if the point is to inquire into its structure, history, influence and so forth. But no idea belongs in the classroom if the point of introducing it is to recruit your students for the political agenda it may be thought to imply.
He pulled himself out of hard times, dealt with the scars from it, pushed himself to make a mark. A little bit of the wild side there, always. I told myself, oh no, I won't get tangled up with this one. And I said it again, even when I was tangled up.
When you get to a point where you're successful enough that you can say, 'I don't have to take any job anymore,' and you're still good at what you do, how do you decide what work to take on? I think the answer is that you pursue what you enjoy. In my case, it's variety.
Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that.
You may be able to take a break from writing, but you won't be able to take a break from being a writer.
Soviet rocket troops possess enough equipment to be able, if need be, to sweep any aggressor from the face of the earth at whatever point of the globe he may be and whatever military power, territory, or economy he may possess.
I still feel as if I weren't a good enough mother. I didn't break any rules. I didn't cause my son any pain. But I did bring to my life some of my father, who was very controlling and very remote. I was working a lot. I wasn't there enough.
At this point in my career I feel that the Tour takes priority. There may come a time at some point down the line where other races may take preference, but for 2015, it's the Tour.
At this point in history when all things which concern man and the structure and elements of history itself are suddenly revealed to us in a new light, it behooves us in our scientific thinking to become masters of the situation, for it is not inconceivable that sooner than we suspect, as has often been the case before in history, this vision may disappear, the opportunity may be lost, and the world will once again present a static, uniform, and inflexible countenance.
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