A Quote by Henry Golding
People look to cinema to spread the word and to tell these wonderful, outrageous stories or true-to-life documentaries.
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Word spread because word will spread. Stories and secrets fight, stories win, shed new secrets, which new stories fight, and on.
I think many people have wonderful stories inside them and the talent to tell those stories. But the writing life, with its isolation and uncertain outcomes, keeps most from the task.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
If, in 2014, we're still making 'white savior movies,' then it's just lazy and unfortunate. We've grown up as a country, and cinema should be able to reflect what's true. And what's true is that black people are the center of their own lives and should tell their own stories from their own perspectives.
The great thing about cinema is that it's a great binder. It brings people from across the world together, often erasing the lines between geographies, languages, familiarity, and the like. Cinema is art and art, they say, is a reflection of life and society, so the way we tell our stories is the main differentiator for me.
I like pop music because it can really affect a large amount of people and if I tell stories and spread messages that I think are really important for people to be aware of, I would want it to be on the biggest platform and I feel like pop is that. I use it as a way to tell stories.
India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films.
There's no real organised body, ... so through the internet people have spread their videos, spread photos, and spread word of a new urban movement.
Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.
My favorite food was seafood, and that's all I used to eat. And then there I was, 27 years old, and bam, I have this allergic reaction - and it's life-threatening. So it's very important to spread the word and spread awareness so people can be better prepared in case anaphylaxis occurs in their life.
I'm interested in such things as the difference between how we perceive the world and what the world turns out to be. The difference is between the stories we tell others and the stories we tell ourselves. There is a wonderful Russian saying, which I use as the epigraph of one of my novels, which goes, He lies like an eyewitness. Which is very sly, clever and true.
It is important to tell good stories. You can tell stories even if they are not huge, epic, and wonderful. You can still take the responsibility for being a scribe of your tribe.
There's no other way to learn about it, except through documentaries. I encourage documentarians to continue telling stories about World War II. I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today. Documentaries are the first line of education, and the second line of education is dramatization, such as The Pacific.
We can tell people abstract rules of thumb which we have derived from prior experiences, but it is very difficult for other people to learn from these. We have difficulty remembering such abstractions, but we can more easily remember a good story. Stories give life to past experience. Stories make the events in memory memorable to others and to ourselves. This is one of the reasons why people like to tell stories.
Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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