A Quote by Henry Rollins

For many years, my favorite director has been the Japanese giant Akira Kurosawa. — © Henry Rollins
For many years, my favorite director has been the Japanese giant Akira Kurosawa.
The term 'giant' is used too often to describe artists. But in the case of Akira Kurosawa, we have one of the rare instances where the term fits.
The great Japanese film director Akira Kurosawa said that to be an artist means never to avert your eyes. And that's the hardest thing, because we want to flinch. The artist must go into the white hot center of himself, and our impulse when we get there is to look away and avert our eyes.
Akira Kurosawa is the pictorial William Shakespeare of our time.
I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.
Shakespeare has been adapted by Akira Kurosawa. 'Dangerous Liaisons' has been adapted into a Chinese movie. 'Blood Simple', the Coen brothers movie, was adapted by Zhang Yimou.
I admire Akira Kurosawa. I have a deep admiration for him and I would love to make films like that.
There's something very simple and contemplative about 'John Wick' - what is interesting is that it looks like it was based on an Akira Kurosawa movie.
Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.
I want to be able to make westerns like Akira Kurosawa makes westerns.
I'm a huge fan of Akira Kurosawa, a big Hitchcock fan.
South Africa had very poor repertory distribution. I didn't find out about Akira Kurosawa and Tarkovsky and Werner Herzog until I got to the U.K.
The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.
I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.
The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
I've wanted to work with [Kairo aka Pulse director] Kiyoshi Kurosawa, but he has not been making horror movies recently.
I'm not Akira Kurosawa. He used to write...He used to write a completely new spec script over a couple of nights. I'm not like that. It takes me a long time to put a film together that I want to make.
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