A Quote by Henry Scott Holland
I have only slipped away into the next room, I am I and you are you. Whatever we were to each other, that we still are. Call me by my familiar name. Speak to me in the easy way which you always used .... Play, smile, think of me .... All is well.
Related Quotes
Wherever I go it will be well with me, for it was well with me here, not on account of the place, but of my judgments which I shall carry away with me, for no one can deprive me of these; on the contrary, they alone are my property, and cannot be taken away, and to possess them suffices me wherever I am or whatever I do.
When I was a little kid playing baseball, my manager called me Sleepy. And only a few people, who know me from way, way back, call me that still. I used to drift off and that's why they made me the catcher, so I wouldn't fall asleep. That gift I have still.
People have always had difficulty saying my name or were resistant to calling me 'Sir' even though my name starts with 'Ser.' Growing up, my family always called me Darius. They're the only ones that are allowed to. All my close friends call me 'Ser' or 'D' and on sets most people call me 'Ser'D.' I'm cool with that.
If somebody, without knowing me, comes up to me and wants to upset or belittle me, I think that reflects badly on them, not me... if you're ever unsure of what to call me or someone like me, my name always does well.
When my first play was produced, I had this sudden feeling that I feel powerful. Like, the next time I go into an audition room, and it's me and the same eight girls as always, I will have this thing that no one can take away from me. They can see us all as interchangeable. But I am not interchangeable.
I think I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am. Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
You can call me whatever you want to call me, but I am an American. No one can take that away from me. No, no one can.
My college friends call me Karu, which is the worst. Only in our country can we make a short form for a short name. But otherwise, I've never had a pet name all my life. But now, in official meetings, someone will call me KJo. And I'll judge that person in my head. Just call me Karan.
I was working in a church in Florida as a youth intern, which means I really didn't do much other than staple stuff. I'm from Dallas, Texas, and every time my grandmother would call-she would call me any time of the day-I'd be home answering the phone. She was like, "What do you do all day?" and sarcastically I would say, "Well, I'm trying to chalk off the next year to spend time finding a band name." And she said, "Well mercy me, why don't you get a real job?" I thought, "Wait a minute. That's the perfect name." That kind of freed up my year but that's where the name came from.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
I never got in a conflict. I didn't want Don Shula to say a word to me at all. My play emphasized that. He couldn't get me for anything or whatever. After that we were ok. I just didn't like the way they used me at the end of the 1963 season going in 1964. I felt that they played games with me.
It has been a difficult journey for me, which started where I used to live: in Virar. All credit to my dad, as he was the only one who took me everywhere. He used to take me to matches and practices, and they were all far away from my home in Virar.
I learned early on that one of the secrets to campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I did that in college. I did it when I carried my papers. I would always look ahead and speak to the person coming toward me. If I knew them, I would call them by name, but even if I didn't I would still speak to them. Before long, I probably knew more students than anybody in the university, and they recognized me and considered me their friend.
I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell - she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. Finally, I really got to this kind of level and I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!
I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
When people put my name next to (Babe) Ruth's
name it still blows me away. I'm still in awe.
