A Quote by Henry Selick
This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I've ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.
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I'd like to begin by thanking the members of the Hollywood Foreign Press for this Golden Globe.
Instead of wasting time on proposals which are difficult to forge consensus on, such as public nomination and party nomination, it's better to focus the discussion on how to form the nominating committee and the nomination process.
To be recognized for your hard work is a true honor. An Academy Award nomination is one thing that, five years later, I can't form a sentence about. It has not made me feel like I can work any less hard. It makes me feel like I have to work 100 times as hard, to even be as remotely good, to work through an experience that could take me through that again.
I would like to thank the Hollywood Foreign Press Association for giving me this wonderful opportunity to serve as Miss Golden Globe 2012.
In order to be artists we need to be in our studios, in our private rooms... in our private personal space... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share.
Cry when you get a Golden Globe. Then you can get an Oscar nomination.
I am keeping with tradition today. After I learned of my Golden Globe nomination, I went to the dentist, so today, let's make it the orthodontist.
Motion comics are a medium all their own. It is certainly not animation, in which a large number of artists do tens and even hundreds of thousands of drawings. The animation, or 'the reality,' is created in a computer, and the work of the original artist is the work. Nor is it a comic book. You can't turn the pages. You can't read the dialogue.
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI animation has finally become practical. It is a fact that I processed the Steamboy work based on the assumption that the machine spec would be higher. In that context, young 3D animators have also gotten more skillful in recent years. But what I didn't expect is that the skills of traditional 2D animators have become worse, and notable young animators have not come out to the scene. This is a big issue for the industry.
Like all disciplines where information is shared and work contributes to their advancement, cuisine should be no different. The kitchen is our life, and we are available to share. We want to share our work so that future generations can cook and create a more efficient, easy and unquestionable quality.
You can be an artist, work hard for your work and also share while trying to create community with other artists.
I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films.
That Republicans now control the Senate means, of course, that they control the confirmation process. Their majority enables them to stop an unacceptable nomination at various points: They can deny the nominee a committee hearing; they can vote the person down in committee; they can refuse to schedule a vote on a nomination sent to the floor; and the full Senate can vote to reject the nomination. The Republicans' majority status also strengthens their negotiating position with the White House, making it more likely that a mutually acceptable candidate will be chosen for a given seat.
The talk of winning our share is not the easy one of disengagement and flight, but the hard one of work, of short as well as long jumps, of disappointments, and of sweet success.
I have to admit to not being the greatest technician, but stop motion animation gives me licence to create machines that wouldn't otherwise be possible - inventions that seem real and actually work.
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.
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