A Quote by Henry Selick
There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see.
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I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films.
CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.
What I love about YouTube is that you don't need brands to pay you, because you get paid off the views. When I put effort into YouTube, I directly see money back.
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI animation has finally become practical. It is a fact that I processed the Steamboy work based on the assumption that the machine spec would be higher. In that context, young 3D animators have also gotten more skillful in recent years. But what I didn't expect is that the skills of traditional 2D animators have become worse, and notable young animators have not come out to the scene. This is a big issue for the industry.
I've always loved stop motion animation and I particularly wanted to do stop motion with puppets that have fur, for whatever reason that is.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
When I was bullied, I could go home and it would stop. Now, you can go home and get a text, or you can put up a YouTube video and 200 people say horrible crap, or someone has launched a website about you. That stuff is really terrifying.
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.
Exciting underground stuff is easier to find with YouTube than it used to be. You don't have to go to the dive bar in the bad part of town to see a band you would never usually see. My personal experience with it, when I was looking for a new lead guitarist, I was able to stalk guitarists on Youtube. And instead of having a horribly embarrassing auditioning process, I could check out peoples' playing. In some ways, you go into a record shop and the selection is narrower than it used to be with pop ruling the roost, but if you look, there's so much more to be found.
Games are another place to find work, not only the voice stuff but in the motion capture stuff. It's exciting work.
Comedians are sociologists. We're pointing out stuff that the general public doesn't even stop to think about, looking at life in slow-motion and questioning everything we see.
With any video you see online, like with YouTube, you gotta watch an ad, and that's gotta stop. And I think it'll stop by...the shitty network shows they put out will just have the ads in the shows. The characters will be eating Cheetos or whatever.
One thing we see a lot is this - the idea kids have now that they don't have to go to college. They don't have to get a real job. They feel they can become 'Internet famous' by taking selfies. They think they can become a star through social media. We see that a lot. You can succeed. But it takes time and persistence.
I'm always my own worst enemy. I'm like, 'Every show's my last.' I'm a lunatic, but that's my own issue. If I had time, I'd spend it in therapy, let's be honest. But I don't, so I'll remain crazy. But the truth is, you want it to be good for the audience, TV Guide. Because a lot of times as a producer you put so much into your shows and when you see the network putting stuff into it too, it gets exciting.
You can't play not to lose. You kind of have to put your ego aside and accept the fact that careers are long, and there's gonna be stuff people like and stuff that people don't like, and you try to get better every time, and always put something out that you're proud of. And let the chips fall where they may.
Everyone with the new generation is about the social network and YouTube, so if you put a proper version of what it should ideally be, I think it's great. All the stuff on YouTube is there as a back-up! I think that's the way it should be.
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