A Quote by Henry Selick

Puppets seem like vampires sometimes. They live, and you're depleted. — © Henry Selick
Puppets seem like vampires sometimes. They live, and you're depleted.
So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
For over 1,700 years, the Jews have been bewailing their sad fate in that they have been exiled from their homeland, as they call Palestine. But gentlemen, did the world give it to them in fee simple, they would at once find some reason for not returning. Why? Because they are vampires, and vampires do not live on vampires. They cannot live only among themselves. They must subsist on Christians and other people not of their race.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
My children are vampires. I don't mean that they are going to dress as vampires for Halloween. I mean that, like vampires, they cannot be captured on film.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
It may be that we are puppets-puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. (1974)
I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
I feel so strongly that I use a different word in going around that our forces are depleted - they're depleted.
Vampires. Honestly, they're like children sometimes.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
I do a public access show with puppets. Puppets called actors, TV and movie stars.
Puppets interacting with other puppets is super complicated. You're juggling ten balls instead of three.
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