A Quote by Hidetaka Miyazaki
We personally don't try to follow industry trends or themes. We just try and make something that we think would be cool and we want to make.
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I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
I don't personally follow trends; I don't even like the idea of trends. I think it's kind of absurd that you have to change every six months, so I always try and buy things that hopefully I'll like forever, and resonate with me.
When you try to put everything into music, there's no room left to try to make you think we're cool. We know you think we're cool.
If I wanted to make something that actually made a difference roughly in this industry, I would make a documentary. That would be the closest I could come to actually try and make a difference.
You can't really just think, "Oh, I want to make something that is going to appeal to every single person in the world." You have to just try to make a movie that comes from your heart.
Often you've read another poem that you think is so beautiful that you'd like to make something like that. And so you try to make a sonnet that works in a certain kind of way, or you try to make something that's songlike, or you create a refrain, or you love the way a poem works in two line stanzas and you try to do that.
Believe that you can make a difference; in fact, you do with every single choice you make. Your money is your power and each time you spend it, it's a vote for something, so make it count. I personally live and work by this African Proverb - If you think you're too small to make a difference, try sleeping in a room with a mosquito.
I don't try to be in fashion; I don't try to follow trends. You just end up out of fashion that way.
Your parents and people close to you, whenever you want to do something or you want to follow a dream, they'll try and stop you. It's not out of their hating, it's just protection. They want to try and preserve you. Like 'oh what If he fails?' From the culture we're from, they want to protect you.
And if I'm running away from something, I try to make myself face it and overcome that initial fear. As a director, I don't think it's possible to make a movie that you really don't want to make.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
When I'm fighting, I'm trying to find a reaction. I try to make the guy move; I try to make him do things that I want him to do. If he likes moving a certain way, I try to set something up so I catch him if he moves that way.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I've found that if you just try to make the film you want, you'll find the right audience. If you try to please everyone, you're going to make really boring films.
Sometimes I have to criticize guys to try to make it fun, I mean, I'm out there trying to bust other people. I want all these guys to do well, but when they do something stupid or don't play well, I try not to kill 'em, I try to make 'em laugh a little bit.
I don't write a whole lot about one person that exists in reality; it's usually characteristics of different people that I combine into a character. I tend to think through and try and make characters behave in a natural way. I follow the character and think about what they would do, what decisions they would make.
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