A Quote by Hidetaka Miyazaki
We always look back at our back catalogue for inspiration for new titles, but when it comes to very old things like the 'King's Field' series, I'm concerned about just mimicking the style of what Naotoshi Zin, the founder of FromSoftware, created for the PlayStation original. I would rather not go back to it simply out of respect.
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When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
She knew that when she got old it would be more fun to look back on a life of romance and adventure than a life of quiet habits. But looking back was easy. It was the doing that was painful. There were plenty of things she would like to look back on but wasn't willing to risk.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
There are so many things that we have to be very concerned about. But I always come back to feminism. People look at me sideways now and are like, "With everything going on, the destruction of the environment, these endless wars, this capitalism that has a stranglehold on our culture and our world and you're talking about feminism still?"
I don't really go back over my old shows, but I'll see them occasionally, mostly I want to go back and change things about the character as I look at them.
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
Like most writers, I look back on all of my finished works with utter regret, and the trouble with writing a series of novels is that you have to go back and read them, and make sure that you haven't forgotten anything you've created, and then when you do that, you're faced with your own mistakes on every trick, from the wrong word in places to entirely the wrong incident.
When I look back at football, I've always said to myself, 'I'd rather leave the game and have something in my tank rather than have left all of me out on the field.'
The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow. "I've got to go back, haven't I?" "That is up to you." "I've got a choice?" "Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train." "And where would it take me?" "On," said Dumbledore simply.
If I could go back to a point in history to try to get things to come out differently, I would go back and tell moses to go up the mountain again and get the other tablet. Because the Ten Commandments just tell us what we are supped to do with one another, not a word about our relationship to the earth. Genesis starts with these commands: multiply, replenish the earth, and subdue it. We have multiplied very well, we have replenished our populations very well, we have subdued it all too well, and we don't have any other instruction.
We have one planet in our solar system that's habitable, and that's the Earth, and space travel can transform things back here for the better. First of all, by just having people go to space and look back on this fragile planet we live on. People have come back transformed and have done fantastic things.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
I guess I've always lived upside down when I want things I can't have. My wife actually thinks I have a syndrome called Reality Distortion Field. It's kind of like drugs, only you can't come back from it. Reality Distortion is almost a permanent condition. Things come in and they go out: Presto, chango! To a certain extent, I did that with myself. As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
I like Rihanna's style a lot. I like how she pulls off this cool tomboy style. I get inspired by other models; I think their off-duty style is cool. I get inspired by new designers that I see on Instagram. It just depends. I get inspired by the '90s a lot, and I look back on old things.
I would like [the working man] to give me back books and newspapers and theories. And I would like to give him back, in return, his old insouciance, and rich, original spontaneity and fullness of life.
Put it this way: If I had to go back to 1968 and wear the makeup that John Chambers made for the original 'Planet of the Apes' series, I think I would rather wear a unitard.
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