A Quote by Hidetaka Miyazaki
In 'Demon's Souls,' we tried to implement some features in a kind of experimental way, not being sure whether or not it would be popular, but we did it anyway so that we could see how people reacted.
Related Quotes
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.
I got the feeling Poseidon really didn't know what to think of me. He didn't know whether he was happy to have me as a son or not. In a strange way, I was glad that Poseidon was so distant. If he'd tried to apologize, or told me he love me, or even smiled. it would've felt fake. Like human dad, making some lame excuse for not being around. I could live with that. After all, I wasn't sure about him yet, either.
If you are kind, people may accuse you of selfish, ulterior motives: Be kind anyway. If you are successful you will win some false friends and true enemies: Succeed anyway. If you are honest and frank people will try to cheat you: Be honest anyway. What you spend years building, someone could destroy overnight: Build anyway. If you find serenity and happiness, they may be jealous of you: Be happy anyway. The good you do today, will often be forgotten by tomorrow: Do good anyway. Give the world the best you have, and it may never be enough: Give your best anyway.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
I just really remember the feeling of being a younger comedian who was kind of an outlier for being experimental and weird and how that could feel lonely or hopeless.
For instance, I'm always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
How it could have been different, how different decisions and events could have taken place. I'm not sure how it would have played out differently. I just didn't want it to play out the way it did.
In 'Fable 1,' the number of features was more important to me than what the features did. And as a games designer I've come to realize that it's not the number of features you have, it's the way that those features interact.
Nice tights," I snorted. Or I tried to snort, anyway. I'm not exactly sure how, though people in books are always doing it.
The kind of approach I take is different from much of experimental philosophy. Although the experimental philosophers and I are certainly in agreement about the relevance of empirical work to philosophy, a good deal of their work is devoted to understanding features of our folk concepts, and in this respect, at least, I see them as making the same mistake as those armchair philosophers who are interested in conceptual analysis.
How would you like your eggs?" I tried. I really did. But I glanced at his crotch and it came out anyway. "Fertilized?
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
Anybody can find out if he is a writer. If he were a writer, when he tried to write of some particular day, he would find in the effort that he could recall exactly how the light fell and how the temperature felt, and all the quality of it. Most people cannot do it. If they can do it, they may never be successful in a pecuniary sense, but that ability is at the bottom of writing, I am sure.
I want the people of New Jersey to jump off a cliff like Kurt Vonnegut so I can show them how to fly. This way, nobody needs to grow any wings, which would be impossible anyway because we're humans and not some kind of bird.
Stars are good too. I wish I could get some to put in my hair. But I suppose I never can. You would be surprised to find how far off they are, for they do not look it. When they first showed last night I tried to knock some down with a pole, but it didn't reach, which astonished me. Then I tried clods till I was all tired out, but I never got one. I did make some close shots, for I saw the black blot of the clod sail right into thee midst of the golden clusters forty or fifty times, just barely missing them, and if I could've held out a little longer, maybe I could've got one.
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