A Quote by Hilaria Baldwin

My thing is about being authentic and when people say I'm not being authentic, it hurts my feelings. — © Hilaria Baldwin
My thing is about being authentic and when people say I'm not being authentic, it hurts my feelings.
I want to be silly, and that's being authentic just as much as being open and honest. It's authentic to make weird clown horn noises when it strikes you.
Authentic power is a new potential of this expanded perceptual system that we are all being given as a gift. As you begin to create authentic power with tools such as emotional awareness, responsible choice and intuition, you begin to draw to yourself others who are doing the same thing.
The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?
There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.
Being authentic in the way you'll see today on the sets [of Doctor Strange] that Charles Wood has designed for us, being authentic in filming, as we did for the first week on production on this in Nepal and in Kathmandu. It was important to us to make it feel like these were real locations and real things.
It costs a lot to be authentic. And one can't be stingy with these things because you are more authentic the more you resemble what you've dreamed of being.
Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live. And it is the authentic human being who matters most, the viable, elastic organism which can bounce back, absorb, and deal with the new.
Failure is authentic, and because it's authentic, it's real and genuine, and because of that, it's a pure state of being.
The most important thing is what you already do. It's being authentic. It's being curious, trying to discover gifts.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
Being a survivor doesn't mean being strong - it's telling people when you need a meal or a ride, company, whatever. It's paying attention to heart wisdom, feelings, not living a role, but having a unique, authentic life, having something to contribute, finding time to love and laugh. All these things are qualities of survivors.
Authenticity is not an innate quality - that is, you are not born with it. Being an authentic leader is not something you can say about yourself; it must be attributed to you.
All I'm doing is being authentic and real and singing about the emotions I go through as a human being.
I love being around people when theyre being their absolute authentic self.
In terms of my life, I guess I want to share whatever I've learned really, which is basically one thing: know yourself, look for yourself, know what to look for, cherish it, be honest, be authentic, even if it hurts your feelings. That's not bad.
You cannot represent cool. You've got to be cool. You've got to be authentic. I think, after all these years, that is how I define cool. It is being authentic. That is powerful.
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