A Quote by Hirokazu Kore-eda

Fast cutting, loud music, blood spewing everywhere, and gunshots permeating the scenes does not necessarily make for a shocking movie. — © Hirokazu Kore-eda
Fast cutting, loud music, blood spewing everywhere, and gunshots permeating the scenes does not necessarily make for a shocking movie.
I don't want to see blood spewing out but I don't mind it in controlled environment. Does it make me squeamish? No.
There's only one movie in my career I've had regrets with cutting it shorter, and I think some scenes maybe I shouldn't have cut.
They sat it "Rains Blood" at scenes of battle... you truly...make blood rain
Scenes of blood and cruelty are shocking to our ear and heart. What man has nerve to do, man has not nerve to hear.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
The church in the book (and movie) plays a pivotal scene. We looked everywhere .. I mean everywhere! We had to have enough of a front yard area to house a Nativity scenes. And we finally found it .. two miles from our office. And we had been all over Tulsa looking. We were looking in places in Texas, everywhere! And I was in the car with the director and we drove by the church.
The best sounds a kid will get is in a movie theater, with huge speakers, turned up loud. I always mix my music really loud. I don't care if you don't hear all the dialogue. The audience are not idiots.
I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
The worst part was the silence. Death was supposed to be loud — gunshots, explosions, screams and thunder. Not this eerie quiet that wrapped around me like a shroud.
The attraction of watching a movie called 'Alien vs. Predator' is you're anticipating - and the movie has to deliver - battle scenes and fight scenes between the two creatures.
The two don't necessarily translate, especially if you're a prize fighter: you've fought all your life, you've fought all these fights, and now you're trying to do a movie. You see that happen a lot - a lot of professional fighters don't necessarily make it so well into the movie world.
This as hard an R as we wrote in the beginning. It was fast. It was fast mainly because of De Luca. We came in with De Luca. Nic I think had a deal with Millennium and so we ended up with Millennium quickly and they said, 'Go make the movie that you want to make. Basically, here are the ground rules; stay within the budget, stay within the time and go make your movie.'
The way the music comes to you starts to affect how you listen to music. When you're a kid, it's 'Does it rock? Does it make me feel good? Does it make me tap my feet? Does it make me go to sleep?'
Movies get found in the editing room. The movie that you make is not always necessarily the movie that comes out of the editing room. The trick is to perfect the movie that you have and make it the best version of what you've shot, regardless of what the intent may have been.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
I think that, you know, women succeed in the cutting room or they're allowed into the cutting room because it's not a very on-display job. I mean, we're behind the scenes. We kind of whisper in your ear.
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