A Quote by Hirokazu Kore-eda

I never want to be the all-knowing god of the story, manipulating what's to happen or the action. — © Hirokazu Kore-eda
I never want to be the all-knowing god of the story, manipulating what's to happen or the action.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
The biggest thing in terms of route running for me is knowing what the defense is in, knowing the coverage. Once you know the coverage, now you can start manipulating the defense. You can start to kind of trick them in where you're going to go and where you want to get open.
There's something very special about knowing what you want to do and knowing the story you want to tell, but finding it together.
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
There's a difference between knowing God and knowing about God. Knowing about God is all of the stuff we've been told and all of the books we've read and all of our religious experiences and what others have told us and tried to convince us of. But knowing God is when we make conscious contact.
So that when you come to read the actual Bible you have a lay of the land. And you come to the Bible knowing that it's not mostly a book about you and what you're supposed to be doing. It's most of all a story. It's this wonderful love story - about a God who loves his children with a wonderful, never-stopping-never-giving-up-unbreaking-always-and-forever love.
The joy of the Lord is my strength, knowing that He is with me, knowing that He will never leave me, knowing that He is bigger than any circumstance, and that He loves us. It's not about Nick being happy but Nick's trust in God. It is not that everything is going smoothly. It is not that Nick never cries or Nick is never fearful anymore.
I want to do an action movie so badly, it just has to happen at some point in my career. I have to do an action movie. Like, I want to do the Angelina Jolie thing - the guns and the blowing things up.
Every so often, you want to map out your plot mythology but never so specifically that you can't let a story surprise you. You want to allow the type of action of the writer's room so that you have the ability to take a left turn.
Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.
Sometimes you successful folks can rise up so high reaching for more stuff that you miss knowing God. But you can never stoop low to help somebody and have God miss knowing you
Readers want to see, hear, feel, smell the action of your story, even if that action is just two people having a quiet conversation.
A single action can cause a life to veer off in a direction it was never meant to go. Falling in love can do that, you think. And so can a wild party. You marvel at the way each has the power to forever alter an individual's compass. And it is the knowing that such a thing can so easily happen, as you did not know before, not really, that has fundamentally changed you and your son.
With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story.
By studying the Bible one can at best know about God. There is a vast difference between knowing God and knowing about God. Knowing God comes through direct power encounters and through biblical study. These power encounters are usually of a variety which cannot be found within the context of the dusty moldy pages of God's past tracks.
I never start a section of the story without knowing how it will end. I also consciously try to shape the story as though it were a movie.
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