A Quote by Hirokazu Kore-eda
I am very happy that Japanese film can cross borders.
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I am very happy to be able to cross borders to go to China, to Mexico, to America, everywhere, and there is an instant understanding of what I do. This is incredibly beautiful because you've suddenly communicated with everyone without speaking the same language. The language of music is able to go anywhere.
I'm not very happy to be classified as another Japanese designer. There is no one characteristic that all Japanese designers have.
I am very happy to help share the great treasure trove of Japanese content with the western world.
Keanu Reeves learned a lot, respecting the culture. I was surprised when I first met him. He knew a lot already and he learned a lot. And also he learned Japanese. It's incredible. On the set, switching between the Japanese and English, even for us, is very hard. It's complicated. But the first time Keanu spoke in Japanese it was a very important scene between us, and more than the dialogue's meaning, I was moved. His energy for the film, completely perfect Japanese pronunciation. It was moving, surprising, respecting.
There aren't many American directors here trying to direct a Japanese yakuza film. When you combine that with the fact that I don't speak much Japanese and this was an independent film I was financing myself - people were curious about what I was doing.
I am so happy and proud to learn of Hideo Nomo's election to the Japanese Baseball Hall of Fame. He was quite a pitcher and competitor, but he is also a very special and caring person.
I'm very happy to be a foreigner in Japan, and I can't think of a more wonderful place to live, but at the same time, I would never want to be Japanese, because they are subject to stresses that I am not.
I travel a lot. Japanese culture is very ancient and very strong. That's why most people who commission work from Japanese architects expect them to create works that have an element of exoticism, the kind typical of Japanese culture. I don't do that.
Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
I am worried that young Japanese people are not very curious about the outside world - which is so different to the way we were in the Sixties and Seventies. All they want to listen to is Japanese pop. They haven't even heard of Radiohead!
I am very happy to have debuted in Telugu with a film like 'Guru.'
I get a huge excitement from seeing the other guys cross the line. It really is a team game rugby, so if we are getting points on the board I am still very happy.
I do not know when I am more perfectly happy than when I am weeping for sin at the foot of the cross.
Well, let's say Asian. Some are Japanese. Some are Chinese. Some are Thai. Some are Vietnamese. He runs the gamut. And I actually happen to have a very dear daughter-in-law who's Japanese. I don't know what she's going to make of the film, but I say a few disparaging things.
If you're Japanese and you signed up for Pinterest in Japan, you see Japanese ideas, not American ideas that look Japanese - it's a very big difference.
In the Cross is salvation; in the Cross is life; in the Cross is protection against our enemies; in the Cross is infusion of heavenly sweetness; in the Cross is strength of mind; in the Cross is joy of spirit; in the Cross is excellence of virtue; in the Cross is perfection of holiness. There is no salvation of soul, nor hope of eternal life, save in the Cross.
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