A Quote by Hirokazu Kore-eda

When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. — © Hirokazu Kore-eda
When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
Honorable, adj.: Afflicted with an impediment in one's reach. In legislative bodies, it is customary to mention all members as honorable; as, "the honorable gentleman is a scurvy cur.".
I was a complete vagabond till the age of 20, when I got my first job as an assistant director with Pankaj Parashar.
If I was applying for a legal position, I would highlight my experience working for the San Francisco-L.A. DA's office, and I would mention some of the high-profile cases I did, but if I was looking for another television job, I would gloss over that, and I'd mention the highlight reel of what I did in television.
I've got about 27 gigs right now. I've got radio, I've got television, I've got The Washington Post.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.
I only worked on that one movie, but then quickly realized that the path of being an assistant director was not gonna get me to producing. It's a different path coming up through production management and then line producing. So I basically was in the position where I was going to take any job that felt creative, like the one I got, which was reading scripts and writing coverage. So even though I was taking a job where I was making less money than the job immediately prior, it seemed like the right thing for me.
When I was 14, I entered British Vogue's annual talent contest and got a special mention. I went up to London to meet the editors and wrote about it in my high school magazine.
I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.
I remember when I got my first salary, Rs 3000/- while working as an assistant director during my college summer vacation and I gave it to my mom.
My dad's a prominent theatre director in Toronto, so I grew up in that world, directing and producing theater since I was a teenager. I always loved movies but they seemed too complicated until I got a job as an assistant on a movie-of-the-week and the technical process became demystified, like peeking behind a magician's curtain. Not long after that I switched to movies and never looked back.
My career got off to a very shaky start when I dropped out of school at the age of 18. Despite my lack of academic credentials, I got a job as a fashion assistant at 'Harper's & Queen.'
My first real showbiz job was on a Nickelodeon show called 'Hey, Dude.' That was my first real paid scriptwriting job.
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