A Quote by Hirokazu Kore-eda

Yes, a family is interesting. You can get a lot of drama in the conflicts there. It's like the sea. It seems calm, but inside there is conflict. — © Hirokazu Kore-eda
Yes, a family is interesting. You can get a lot of drama in the conflicts there. It's like the sea. It seems calm, but inside there is conflict.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Yes, I think I am like the sea. I appear calm on the surface, but there's a lot going on within. Many a times, I may not react to certain things, but that doesn't mean that I don't care or I don't have emotions.
Conflict is what creates drama. The more conflict actors find, the more interesting the performance.
An actor is looking for conflict. Conflict is what creates drama. We are taught to avoid trouble [so] actors don't realize they must go looking for it. Plays are written about...the extraordinary, the unusual, the climaxes. The more conflict actors find, the more interesting the performance.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
You don't get to see all my family drama, you don't get in my relationships, and you don't get to live inside my personal life. But if you don't pick at me, I'm pretty open to just let you in.
My father worked for the Foreign Office, so he was away a lot of the time. We were a very volatile family. There was a lot of love and a lot of conflict. The conflict kicked in mostly during my adolescence.
Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'
There's a lot of conflict and darkness inside everybody's family. We all pretend to outsiders that it's not so but behind locked doors there are usually high emotions running.
There's a lot of conflict and darkness inside everybody's family. We all pretend to outsiders that it's not so, but behind locked doors, there are usually high emotions running.
Poseidon raised his eyebrows as they shook hands. “Blowfish, did you say?” "Ah, no. Blofis, actually.” "Oh, I see,” Poseidon said. “A shame. I quite like blowfish. I am Poseidon.” "Poseidon? That’s an interesting name.” "Yes, I like it. I’ve gone by other names, but I do prefer Poseidon.” "Like the god of the sea.” "Very much like that, yes.
You can't get away from violence in drama. If you do not have conflict, you do not have drama.
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
I like conflict, drama's conflict and if you don't have that in the character it's really not a worthwhile role to play for me.
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