A Quote by Holly Black

I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk. — © Holly Black
I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
Melanie still grieves for Jared," she stated. I felt my head nod without willing the action. "You grieve for him." I closed my eyes. "The dreams continue?" "Every night," I mumbled. "Tell me about then." Her voice was soft, persuasive. "I don't like to talk about them." "I know. Try. It might help." "How? How will it help to tell you that I see his face every time I close my eyes? That I wake up and cry when he's not there? That the memories are so strong I can't separate hers from mine anymore?
I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like.
Pet the cat dude," says Sam. "She brought you a present. She wants you to tell her how badass she is." "You are a tiny tiny killing machine." Daneca coos. "What's she doing?" I ask. "Purring!" says Daneca. She sounds delighted. "Good kitty. Who's an amazing killing machine? That's right. You are! You are a brutal brutal tiny lion! Yes, you are.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like; it is all about how your voice sounds.
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
Everybody gets through a phase where it's, 'Ah, if I could just sound just like Vince Gill.' Then you figure out that you have your own voice, whether you like it or not, and that's what you should stick with.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
Seungri sounds mournful while T.O.P has a masculine and husky voice. My voice is thin, just like when I talk
I'll listen to you, but you need to treat me with a little respect. Because it doesn't sound like I'm a pawn. Sounds like I'm more of a queen." A vein in his temple began to throb, and she grew bolder, the sense of power emanating from the mark on her chest filing her with the mettle she'd lost after the break-in two years ago. Lowering her voice to a tense whisper, she nipped his earlobe. "Checkmate.
I just believe that young people need to be able to learn how to write in their own voice. Just like a musician, you pride yourself on having your own distinct sound.
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