A Quote by Holly Madison

I'm working on producing my own shows. "Girls Next Door" was a great place to start but it was somebody else's show. I'm just ready to move on. — © Holly Madison
I'm working on producing my own shows. "Girls Next Door" was a great place to start but it was somebody else's show. I'm just ready to move on.
I want to get into producing. I really learned a lot from 'Girls Next Door.' Kevin Burns is a great producer. He's really talented, and he taught me a lot. I'm just looking forward to spreading the wings a little bit. Five seasons on 'Girls Next Door' was great, but it gets a little repetitive.
I have to admit, I have a little sad addiction. I love watching on the E Channel that stupid show, The Girls Next Door. It's a very sad thing to say and I don't know how to explain it but I am addicted to Hugh Hefner's girlfriends and The Girls Next Door.
I look just like the girls next door... if you happen to live next door to an amusement park.
When somebody brings me a record to mix, usually they feel like they can only get it so far with who they were working with or with themselves, and they just want somebody with fresh ears to take it to the next level. I just try to have a candid, open conversation with them about each song before we start working on it.
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.
Before you begin working your way into the system, it is imperative that you are ready to be judged. You are only new once. ... You are only ready when you can orchestrate the next move after you have the industry's attention.
I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else’s. That we are the main characters in our own play, not props in somebody else’s—which is how women’s sexuality is treated now. Whatever the outside attitudes about sexuality it’s always about somebody’s agenda for us, and I want a world where we can have our own.
I love producing shows. And so when you're on a show where other people are making decisions you don't necessarily agree with it, after a while you start to feel like a passenger.
You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.
And new, too. Remade. Ready to move again. Listening was the start, she decided. Doing was the next step.
Explore. Train your conscious mind and your subconscious mind to start working for you by getting those great powers to move in a new direction. Start creating your own good luck today.
Government is saying to the average citizen every January 1: 'For the next five months you'll be working for us, for goals we shall determine. Is that clear? After May 5 you may look after your own needs and ambitions, but report back to us next January. Now move along.' ... If nearly half of what you make is spent by someone else, that means that half your work time is spent working for someone else. Call me a radical, but I think that comes dangerously close to being a form of indentured servitude.
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
Somebody just gave me a shower radio. Thanks a lot. Do you really want music in the shower? I guess there's no better place to dance than a slick surface next to a glass door.
I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.
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