A Quote by Hosain Rahman

It has to go to the level of emotional connection, where you feel without it you're lost. — © Hosain Rahman
It has to go to the level of emotional connection, where you feel without it you're lost.
The last thing I want is that sense of artifice - rather I want the reader drawn into the story and lost in it and vested in it. So the emotional connection is everything, albeit a connection on my terms.
I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing.
I find as a viewer, when I go to see comedies, the strain to be funny throughout the whole thing. I start to lose my sense of reality, and it ends up feeling like an empty experience; there's funny stuff in it but I've lost the emotional connection to the characters because it's just so bananas.
When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
Knowledge is lost without putting it into practice; a man is lost due to ignorance; an army is lost without a commander; and a woman is lost without a husband.
Science tells us more and more now that there is a strong connection between emotional well-being and health outcomes, and that you can proactively cultivate emotional well-being through relatively simple practices like sleep, social connection and meditation.
I just hold out for pieces where I immediately feel an emotional connection with a part.
If you see something that you feel is familiar it gives you an important kind of emotional connection.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
Music should resonate with people on an emotional level. That's one of the criterions I use for an idea. Does it speak simply and directly without obfuscation and without being unnecessarily complex or obscure?
You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.
All Shondaland shows have a level of intelligence, a level of humor, a level of pathos and human connection.
Even when you're producing difficult material and you get emotional, after it you feel good; you feel like you've done a good job, or had an emotional release. I've always enjoyed that, but you go home and think, that was a good day's work, and you move on.
I always write with an audience in mind. If I feel that [connection] coming back at me then I feel like I'm doing my job. That's why people come to my music - for some emotional experience or a perspective, either on their own lives, or on the world that they're living in.
Without having an emotional connection or some relatability to the characters, there's really nothing to root for, in some respect.
Because depression is so thematically powerful and so dark, when it's very severe, it can make people feel not only as if they've lost a loving connection, but as if the whole world is devoid of love. So if we wonder how somebody could take 149 people with him when he commits suicide, one answer can be that depression, when it's most severe, can make people feel that life is completely without value, not just for them but for anyone.
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