A Quote by Hosain Rahman

Think about where does this stand in the experience continuum that you've been imagining, where the world's going to go. — © Hosain Rahman
Think about where does this stand in the experience continuum that you've been imagining, where the world's going to go.
The only thing that can save the world is the reclaiming of the awareness of the world. That's what poetry does. By poetry I mean the imagining of what has been lost and what can be found - the imagining of who we are and the slow realization of it.
I don't think of work between albums. Of course, I go through regular life and I live and I experience different things, good and bad, and it does help me, but I don't think about writing or what I'm gonna do with whatever's going on while I'm going through it.
A lot of times when I ask people what their apocalyptic fantasy life is like, they'll immediately say something like, "Oh, what I think is going to kill us is climate change or World War IV," and that's not what I'm interested in at all. The point is not about winning a bet about what's going to happen. The point is about the human action of examining the possibility, the kind of obsessive imagining about it.
When you're reading my book, you're not in a four dimensional continuum, you're in my continuum, the Grossman continuum.
I think where a writer falls on the realism/non-realism continuum has a lot to do with their sight, as in, 'This is how I see the world.' And it seems my sight is off-kilter and kind of strange, but I come by that naturally; I'm not consciously pushing toward a particular point on the continuum.
Some people just think utopians are idiots who are imagining rivers of candy and not really engaging with the world's ills, and sometimes that's surely the case, but I think that imagining the perfected society is a way of expressing your disgust with the current state of affairs.
I think what you are seeing is Donald Trump is making an amazing first trip. He's going to Saudi Arabia, he's going to Israel and he's going to Rome. Think about that - three of the strongest religions. He's going to go together, talk to all of them. And his message is going to be about unity. He is going to show what American leadership looks like, because those are areas of the world that have questioned it.
I'm not concerned about what [Donald Trump] says about me. That doesn't matter to me. I'm going to stand up for immigrants. I'm going to stand up for American Muslims who are working hard in this country that they love and consider their own. I'm going to stand up for other women. I'm going to stand up for the right to choose.
I have always lived in a world in which I'm just a spot in history. My life is not the important point. I'm just part of the continuum, and that continuum, to me, is a marvelous thing. The history of life, and the history of the planet, should go on and on and on and on. I cannot conceive of anything in the universe that has more meaning than that.
I have had this opportunity to go on a journey and experience the ride of racing cars, of different championships around the world, go-karts, F3, F4, and now F1. It's been so amazing to be able to experience that. There have been bad days, good days, and it's been a great ride.
Fiction is not a dream. Nor is it guesswork. It is imagining based on facts, and the facts must be accurate or the work of imagining will not stand up.
Imagining the world without us is a recipe for despair and paralysis. I actually think it's more helpful to imagine the world before us, to look back at those unstable ecosystems of the Triassic and realize that were in another phase of unstable ecosystems. Knowing that, demystifying our situation as it were, makes it easier to think about solutions. We are not looking into the unknown. The only thing unknown about the situation is how we're going to fix it, and when.
That's what writing is: it's imagining that you can make a world. That's what basketball is, too: it's imagining the game as a world.
I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
It's one of those things that it's everything you think it is, but then again you have to - you need time to really process the entire situation. You stand out on that platform afterwards and you're looking at the ballpark and the fans and the W flags everywhere, and truthfully I do think about everybody, I think about the fans and their parents and their grandparents and great-grandparents and everything that's been going on here for a while. So you think that - I think about my coaching staff.
It's been four years. It's been the best four years. It's been wonderful, it's been a privilege to work under Steven Moffat. But I think when you gotta go, you gotta go It's sad, I'm going to miss it. I'm going to miss Comic-Con as well. It wasn't an easy decision, but I dunno, you can't play it forever. And, look, they'll get someone amazing and brilliant, and that's the great thing about the show. It continues, and it will get bigger and better. And you'll forget about me.
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