The way we respond to criticism pretty much depends on the way we respond to praise. If praise humbles us, then criticism will build us up. But if praise inflates us, then criticism will crush us; and both responses lead to our defeat.
If I care to listen to every criticism, let alone act on them, then this shop may as well be closed for all other businesses. I have learned to do my best, and if the end result is good then I do not care for any criticism, but if the end result is not good, then even the praise of ten angels would not make the difference.
Criticism? An artist wants praise. Praise.
The trouble with most of us is that we would rather be ruined by praise than saved by criticism.
I don't focus on criticism. I prefer to praise people and the world, rather than criticize them and it.
Neither praise or blame is the object of true criticism. Justly to discriminate, firmly to establish, wisely to prescribe, and honestly to award. These are the true aims and duties of criticism.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
Neither praise nor blame is the object of true criticism. Justly to discriminate, firmly to establish, wisely to prescribe and honestly to award - these are the true aims and duties of criticism.
Few people have the wisdom to prefer the criticism that would do them good, to the praise that deceives them.
I suspect that most authors don't really want criticism, not even constructive criticism. They want straight-out, unabashed, unashamed, fulsome, informed, naked praise, arriving by the shipload every fifteen minutes or so.
I have been both praised and criticized. The criticism stung, but the praise sometimes bothered me even more. To have received such praise and honors has always been puzzling to me.
Two kinds of people live a life without care: one kind are extremely worthy of praise, the other kind are extremely worthy of criticism. The first are those who care nothing for the pleasures of the world and the second (i.e. those who are deserving of criticism) care nothing for haya or modesty.
Criticism sometimes is really praise, and praise sometimes slander.
In a world without any criticism at all, although there are many actors who would think they would be delighted to see that happen, would in fact be a far more problematic world than they could ever imagine.
Praise is like sunlight to the warm human spirit; we cannot flower and grow without it. And yet, while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellow the warm sunshine of praise.
People who thought that she was busy going around trying to stir up difficulty where there was none or less than she imagined, were quite critical of her. She was, we must never forget, a public figure. And in democracies, public figures tend to attract criticism as well as praise. The most dangerous thing would be if anybody were regarded as above criticism. And Eleanor Roosevelt is, in recent years, getting there.