A Quote by Hugh Dennis
There's something inherently British about siding with the underdog. While comedy needs victims, it doesn't need to treat them in a brutal way - we're kind of lauding them.
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The best way to treat obstacles is to use them as stepping-stones. Laugh at them, tread on them, and let them lead you to something better.
You have to be kind of alerted to the fact that clowns are scary and then you can't look at them the same way again. There's something very sinister about them... There's something very tragic about them as well. The last thing they are is funny.
Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we're dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning.
The trouble with today is, things are a little easy. Teens don't feel as if anyone needs them or their talent, and that's wrong. We need them. They are the future. And if I can encourage them to think about the sciences as something they could do, then I think I've done a good job.
Wimbledon is not the tournament I love. I don't like how they treat the players. There are small things that don't cost them anything and they make such a big deal out of it. If they treat us this way, well, we have to treat them the same. We want to be respected, the way we respect Wimbledon, even if it is not the best Grand Slam on earth.
If you treat men the way they are you never improve them. If you treat them the way you want them to be, you do.
There is something embarrassing in... the way in which, ... turning suffering into images, harsh and uncompromising though they are, ... wounds the shame we feel in the presence of the victims. For these victims are used to create something, works of art, that are thrown to the consumption of a world which destroyed them.
We have such a knee-jerk reaction to our young people, not recognizing our young people carry the torch. We condemn them for their hats worn a certain way or their hoodie worn a certain way, or their pants sagging a certain way, but the reality is, we need to meet them where they stand. We need to arm them with what they need to fight, and then we need to get the hell out the way and let them lead. That is something that is not happening in our communities.
[President] needs to engage them in a very personal way. And he needs to tell them that this is something that America, the United States of America, needs. Not Republican. It's not Democrat. It's America.
You can never err by treating everyone in the building with respect, thoughtfulness, and a kind word. Everyone of our employees is an essential employee. Every one of them wants to be viewed that way. And if you treat them that way, they will view you that way. They will not let you down or let you fail. They will accomplish whatever you have put in front of them.
I've always been interested in justice. I think what is happening to the Palestinians represents the ultimate injustice. I also hate bullies and the effect of them, the way people side with them out of fear. The Israelis are the schoolyard bullies, with England and the United States siding with them.
Man treats woman as his own property and not as being capable of feelings, like himself. The way man treats women is much worse than the way landlords treat servants and the high-caste treat the low-caste. These treat them so demeaningly only in situations mutually affecting them; but men treat cruelly and as slaves, from their birth till death.
What all these victims need above all is to know that they are not alone; that we are not forgetting them, that when their voices are stifled we shall lend them ours, that while their freedome depends on ours, the quality of our freedom depends on theirs.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
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