A Quote by Hyon Gyon
Art-making is an extension of the kind of spiritual process that shamans unfold in order to demonstrate the connectedness of the world beyond reality.
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The concepts "beyond" and "real world" were invented in order to depreciate the only world that exists-in order that no goal, no aim or task might be left for our earthly reality.
To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual.
I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.
The invasion of the Church by the world is a menace to the extension of Christ's Kingdom. In all ages conformity to the world by Christians has resulted in lack of spiritual life and a consequent lack of spiritual vision and enterprise. A secularized or self-centered Church can never evangelize the world.
Drugs took me to places; they were like portals. It's kind of a cliché, but they were like portals to altered states of consciousness into ways of imagining the world, or seeing a world beyond this world, or seeing a world beyond this world that I might not have gotten to unless I discovered meditation and a very deep, intense spiritual path based on contemplation and meditation.
I'm interested in art, and I think about the process of making art. It's part of my personality, my experience of the world, so it ends up in the movies. It's where my head is.
At its most basic, the spiritual is the experience of the connectedness that underlies reality. The depth of that experience depends on the capacity of the individual to set aside considerations of self, thereby gaining access to connection.
Modern physics is describing what the ancient wisdom keepers of the Americas have long known. These shamans, known as 'the Earthkeepers,' say that we’re dreaming the world into being through the very act of witnessing it. Scientists believe that we’re only able to do this in the very small subatomic world. Shamans understand that we also dream the larger world that we experience with our senses.
Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.
It might sound naive, but for me, you know, for me, the important part is kind of making process. So I'm not super result oriented, and I just, like, kind of getting lost in the process of making something.
In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.
I think that grief is a profound spiritual, metaphysical, and - oddly - physical reckoning with death, which we don't understand well. It's both the process by which you relearn the world in the absence of someone who was a pillar in it, and the process in which you confront the reality of death.
To transcend means to "go beyond," but this need not compel us to an ornate dualist view that regards transcendent levels of reality (e.g., the spiritual level) to be not of this world. We can "go beyond" the "ordinary" powers of the material world through the power of patterns. Rather than a materialist, I would prefer to consider myself a "patternist." It's through the emergent powers of the pattern that we transcend.
I believe in art that is connected to real human feeling, that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized world. I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.
I never demonstrate how art should be made or what the outcome should look like. Instead, give kids the tools and the materials to make their own art. Have them experience the process.
As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.
