A Quote by Ian Mckellen
I've always longed for the theatre and acting to be popular. No actor wants to play to an empty house. We only do it for an audience. The more the merrier. I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
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I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
I was surprised that the TV series was popular itself, but after that it went on to become more popular over the years and thus it seemed eventually that they would turn it into a movie.
One meaningful distinction between high and popular culture, is that there's way more good popular culture - because its standards of quality are more forgiving, because sobriety isn't its default mode, because there's so damn much of it.
I don't know. I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.
I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.
I don't make much distinction between being a stand-up comic and acting Shakespeare - in fact, unless you're a good comedian, you're never going to be able to play Hamlet properly.
My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I find that as long as I'm acting it doesn't matter if it's for TV, or a series or a short film. I always have fun no matter what I'm doing.
A lot of times, in film and TV, they just want you to play yourself. But, when you're someone who's more of a character actor, you get to experience what it feels like to play a bunch of different kinds of people. I find it more invigorating than challenging. I definitely trust the writers to give me the material that I will take and turn into the person that I'm playing.
What I'm always afraid of is going "off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material... that material is popular for a reason and I like to stick with it.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
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