A Quote by Ian McLeod
Quite often I play roles that require quite a degree of emotional exposure, and they can be very difficult to do.
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Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
After 'Entourage,' it completely opened up my casting within the industry. People saw me for a lot of roles that I hadn't been seen for before. Older roles. I went out this pilot season for a lot of lawyers and doctors. And cops - which I haven't quite mastered yet; I find that quite difficult.
More often than not, I get cast as quite Machiavellian roles - it's something about my face; I'm quite shifty or something!
There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.
The buildings that I build very often have a dreamlike reality. I don't mean by that they have a fantasy quality at all, in fact quite the reverse. They contain in some degree the ingredients that give dreams their power... stuff that's very close to us.
Yes, it's a very difficult thing to do, to promote a record, do television shows, and to still want to remain private, it's really quite difficult to explain to people what you're trying to do. I mean I'd actually quite like to be a recluse, but you know, you've got to promote the record as well.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
It's quite hard sometimes coming into a show where everybody's quite cliquey, where everybody's been set for a number of years and you're the guest star. It's quite difficult, it's nervewracking in a way.
In America, quite often, for people from a certain economic position two choices become very evident as to their adult life. One is crime, one is the military. And it is quite often that some people choose one or the other, their options not being as many as someone from a higher income.
I'm quite an emotional person. I cry a lot. I do not like conflict, so if I have an argument with my parents, I'll often cry. I become too emotional.
My process is really quite organic, and starting a painting is one of the best parts for me. I always start in quite a loose and free way. I often put down one ground colour to begin with and then play off that.
I went on Love Island thinking I was quite headstrong but it turned out I was quite emotional.
Quite often, I have a compelling sense of how a role should be played. And I'm proved - equally as often - quite wrong.
What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact.
For my family, it was quite emotional because it has always been a dream of mine to be in Formula 1. For them, to see it come true was quite a special feeling.
