A Quote by Ian McLeod

What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face.
There is always a price to pay for badassery. Neo was a badass in the Matrix and the Matrix Reloaded, but the price he had to pay was The Matrix Revolutions.
The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.
It's a huge blessing to know you've done something that has affected people the way 'The Matrix' has. It's like, there's 'Star Wars,' and then there's 'The Matrix.' It's cool to be a part of that.
Language is something that springs from the biological matrix, and the neurological matrix, within us.
You can communicate to a new cybercity... This will be the ideal home server. Did you see the movie The Matrix? Same interface. Same concept. Starting from next year, you can jack into The Matrix!
I think the cybernetic matrix is a tremendous tool for feminizing, and radicalizing, and psychedelicizing the social matrix. I see computers as entirely feminine.
I would have absolutely messed up 'The Matrix'.
If you think half of America votes badly because they are stupid or religious, you are trapped in a matrix ... Take the red pill, learn some moral psychology and step outside the moral matrix.
Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.
There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."
You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance.
In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
Obviously, after 'The Matrix,' it was a case of, 'OK, I did that. What's next?' I mean, it's always like that, but more so this time. How do I change it up? How do I keep it interesting for myself?
You'll go see a movie like 'Matrix 2,' and the car chase goes on and on and on and on. They had all the money in the world and all the time in the world. It doesn't make it an any better action sequence.
I've had moments where it's like being in the Matrix.
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