A Quote by Ida Rolf

The body is solid material wrapped around the breath — © Ida Rolf
The body is solid material wrapped around the breath

Quote Author

Ida Rolf
May 19, 1896 - March 19, 1979
I want to be inside you so badly, Grace,” he whispered. “I want to feel your legs wrapped around me, feel your breasts against my chest, hear you moaning as I make slow, sweet love to you. I want your smell on my body, your breath on my skin.
Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.
Jazz is the music of the body. The breath comes through brass. It is the body's breath, and the strings' wails and moans are echoes of the body's music. It is the body's vibrations which ripple from the fingers. And the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life. We give to others only peripheral improvisations.
For nearly a hundred years, we have known that the material world is an illusion. Everything that seems solid - a rock, a tree, your body - is actually 99.999% empty space.
His smell—the scent of a demon, cinnamon incense, amber musk—wrapped around me, filled my lungs. I felt like I could breathe again, without every breath being tainted by the stench of dying cells. The smell of him seemed to coat my abused insides with peace, and flow down into the middle of my body to spread through my veins. I filled my lungs again. While I could, before what was undoubtedly a hallucination vanished.
When God created you, He created a dream and wrapped a body around it.
I always thought Vincent Lindon had a sexy body, a body you can trust, a solid body you can lean on.
Your tree pose is going crazy and you're falling; and your leg is burning; and it feels impossible to maintain any sort of stability practice observing what's happening instead of getting wrapped up in the circumstance. If you can learn to be easy with your breath in these moments, your body and mind will follow.
If she could have died...if she could have disappeared forever...but the solid surface of things refused to dissolve around her, and her body, her hateful hermaphrodite's body, continued in its stubborn, lumpen way, to live.
And then I became aware of all the magnificent silk wrapped around my body, and had the feeling I might drown in beauty. At that moment, beauty itself struck me as a kind of painful melancholy.
He willed his body to remain unaffected. Sabin would fuss if Strider sported a hard-on around his precious. And, of course, "fuss" meant Strider would find his intestines wrapped around his neck, breathing a thing of the past.
Alexander tilted his head and kissed her deeply on the lips. He let go of her hands, and she wrapped her arms around his neck, pressing herself against him. They kissed as if in a fever... they kissed as if the breath were leaving their bodies.
At the very instant that you think, "I am happy," a chemical messenger translates your emotion, which has no solid existence whatever in the material world, into a bit of matter so perfectly attuned to your desire that literally every cell in your body learns of your happiness and joins in.
Cinema is made to film material: the body. By filming the material, the mechanical, the worker, we arrive at the spiritual.
The solid, solid universe Is pervious to Love; With bandaged eyes he never errs, Around, below, above. His blinding light He flingeth white On God's and Satan's brood, And reconciles By mystic wiles The evil and the good.
Letting the last breath come. Letting the last breath go. Dissolving, dissolving into vast space, the light body released from its heavier form. A sense of connectedness with all that is, all sense of separation dissolved in the vastness of being. Each breath melting into space as though it were the last.
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