A Quote by Iman
When I lived in Egypt, we always wore kaftans. I had cashmere kaftans from Halston. You put on a kaftan in your backyard, and it's like you're in Ibiza.
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I came here when I was 20. I came to go to school, but I ended up working for Halston as an assistant. That happened in a very strange way. My father had a meeting with Halston. And my father said to me, 'Join me. I want you to meet this amazing American designer.' And I happened to just tag along, and Halston offered me a job.
It's great to be part of the whole Ibiza Rocks vibe. Ibiza's always had a big gap when it comes to bands with guitars so it's great to be included really.
I lived somewhat of a nomadic life, even when I lived in Ohio. We spent time in rural areas, in suburban areas, never really city areas. We rode four-wheelers. We had pigs and ferrets. And creeks. We had a creek in my backyard. It was like 'Huckleberry Finn.'
Wherefore should I not offer my congratulations? But the very fact of them being Sayyids, those fountains of felicity, demands heartly exertions in support of Islam and their ancestor Muhammad the Lord of Apostles. Let two Kaftans of honor for the two brothers be issued from my wardrobe and let them be sent with two swords, jewel-hilted and provided with pearl mounted belts, let Jamdat-ul-Mulk write much praise and congratulations when sending these presents.
When I was designing Mrs. Obama's dress, half of me was saying, 'What would Halston do?' The other half was saying, 'Be who you are.' Halston, me, America, India - it's been such a great combination. This is what makes me who I am, with the clean lines I learned from Halston and complicated Indian over-the-top Bollywood traditions.
The light, colors, and energy of Ibiza are constant sources of inspirations for my work. I always leave Ibiza recharged and full of ideas for new shades, looks, and products.
One day I had an instinct to put on a kaftan and go out and sing. People liked it out of the blue. An artist should be instinctive.
I got into circuses and put on circuses in the backyard. My dad had horses and he'd bring them and we'd do horse tricks. I was 6 or 7 years old putting on circuses for the family or whoever in the backyard.
People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.
Egypt was tough without our parents. My brothers and sisters had to work day by day, and every time they collected a pay cheque, they brought it into the house and put it on the table. That's how we lived.
When you're in the backyard as a kid playing and falling in love with the game and you crush the ball? You do a celebration. You stand and watch it like Ken Griffey Jr. You put your hands in the air like Manny Ramirez. You don't hit the ball and put your head down and run as fast you can. That's not fun. It's okay to embrace that part of a game.
My parents were kind of over protective people. Me and my sister had to play in the backyard all the time. They bought us bikes for Christmas but wouldn't let us ride in the street, we had to ride in the backyard. Another Christmas, my dad got me a basketball hoop and put it in the middle of the lawn! You can't dribble on grass.
My dad had a 'fro, and I didn't. So I wore his hat and it always hit me in the face, so I just turned it around and it just stuck. It wasn't like I was trying to be a tough guy or change the way that baseball is played. It was just that my dad wore a size 7 1/2, and I had a 6 1/4. It was just too big.
When I was in grade school in L.A., I really loved Cyndi Lauper. I did everything I could to look like her. I had wild outfits and always wore different coloured socks. I wore loads of ribbons in my hair and let them fall in my eyes.
Halston was one of the hardest-working designers I have come across. The way he cut, moulded, manipulated and draped fabric was inspiring. I was submerged into the Halston subculture alongside Andy Warhol, Liza Minnelli, Elizabeth Taylor and Truman Capote. They shaped who I have become as a designer.
Two of my bread and butters are my ankle and knee. That's why I always wore high-tops. I had to protect my ankles no matter if I taped my ankles or wore ankle braces. I gotta protect my ankles. Gotta protect the money maker. That's why I've always rocked the Air Force 1s. Of course, I put in orthotics in there 'cause these joints is flat.
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