A Quote by Iman

People get numbed when they see picture after picture, year in and year out, of people starving. — © Iman
People get numbed when they see picture after picture, year in and year out, of people starving.

Quote Author

As a technologist, I see the trends, and I see that automation inevitably is going to mean fewer and fewer jobs. And if we do not find a way to provide a basic income for people who have no work, or no meaningful work, we’re going to have social unrest that could get people killed. When we have increasing production - year after year after year - some of that needs to be reinvested in society.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'
I never overestimate the audience, nor do I underestimate them. I just have a very rational idea as to who we’re dealing with, and that we’re not making a picture for Harvard Law School, we’re making a picture for middle-class people, the people that you see on the subway, or the people that you see in a restaurant. Just normal people.
I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.
I wanted to make a record that people could put on year after year after year, and it would never feel dated.
Some people look at a picture for thirty seconds, some for years. It doesn't really matter because a picture is like life. You take out of life as much as you are able to take out of life, just as you take out of a picture as much as you can take out of a picture.
Trump is dividing people against each other; he's going to try and sow racial division; so you have to figure out an answer. I think really the only answer for the Democratic Party, or for progressives at large, is to have an answer about how these people who haven't been to college, who haven't had a lot of things given to them in life, are going to do better, year after year after year.
The images are designed, so that after you see the picture two or three times, its no longer my film, it starts to be your film, You recognize the people, you know them, and you don’t even know who directed the picture. PlayTime is nobody.
I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do.
I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do
Is it true that the American people are war-weary? Absolutely. We are tired of sending our sons and daughters to distant lands year after year after year, to give their lives trying to transform foreign nations.
I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
This blacklisting is going to collapse because it is rotten, immoral and illegal. I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio. I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do
I don't think people fully appreciate the trauma associated with losing. It takes a lot out of you, year after year.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
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