A Quote by Immanuel Wallerstein

The mark of the modern world is the imagination of its profiteers and the counter-assertiveness of the oppressed. Exploitation and the refusal to accept exploitation as either inevitable or just constitute the continuing antinomy of the modern era, joined together in a dialectic which has far from reached its climax in the twentieth century.
Every modern war has had its roots in exploitation.
The whole exploitation thing is funny, too. Exploitation is the nature of the world, isn't it?
In modern capitalism economic exploitation rather than political oppression is the real enemy of the people.
The discovery of personal whiteness among the world's peoples is a very modern thing - a nineteenth and twentieth century matter, indeed. The ancient world would have laughed at such a distinction.
I'm not a twentieth-century novelist, I'm not modern, and certainly not postmodern. I follow the form of the nineteenth-century novel; that was the century that produced the models of the form. I'm old-fashioned, a storyteller. I'm not an analyst, and I'm not an intellectual.
It's very hard to be a practicing Christian in the 21st-century world if you set things up as, 'Everyone is against us. You can't believe modern science, modern media or modern political institutions because they're all conspiring against Christians.'
We can see quite plainly that our present civilization is built on the exploitation of animals, just as past civilisations were built on the exploitation of slaves.
Marxian exploitation is the exploitation of people's lack of understanding of economics.
Twentieth-century American poetry has been one of the glories of modern literature.
It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed.
Modern capitalist nations are the fruit of a history of slavery, genocide, violence and exploitation every bit as abhorrent as Mao's China or Stalin's Soviet Union.
Our modern understanding of cultural appropriation is highly individualised. It's all about what Halloween costume you wear, or who's cooking biryani. But the way in which the idea was first used was to describe a relationship of dominance and exploitation between a global ruling class and a globally subjugated one.
They, OLDEFO (Old Established Forces), carry out l'exploitation de l'homme par 'homme (the exploitation of man by man). Do not let them live, so that there's no colonialism anymore in the world.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.
Industrialization is the systemic exploitation of wasting assets. In all too many cases, the thing we call progress is merely an acceleration in the rate of that exploitation.
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