A Quote by Imtiaz Ali
Usually, you lose interest in a story beyond a certain point. But with Highway, there was something very subtle, yet something very influential. I intended Highway to be the first film that I ever made. Didnt happen.
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Usually, you lose interest in a story beyond a certain point. But with 'Highway,' there was something very subtle, yet something very influential. I intended 'Highway' to be the first film that I ever made. Didn't happen.
I didn't say wonderful, I say eminent domain is something you need Chris. Eminent domain - if I build a highway - go ahead. I know exactly what you're saying. But if I build a highway, and if something's in the way of the highway, you're going to have to do something with that.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
He didnt know what was defeating him, but he sensed it was something he could not cope with, something that was far beyond his power to control or even at this point in time comprehend.
They don't allow a dying on the highway. No Passing. They give you a ticket if you die on the highway.
I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.
I never ever aspired for anything in life. I don't believe in planning or yearning for something very strongly. If something has to happen, it will happen.
The story of 'Highway' is completely about travel. It is about the fascination of travel to an extent that I don't want to even reach the destination and also being away from society gives you a certain view of the society, so that was the intention of the film.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person and things happen to them and then something big happens and they realize something new.
There is no way to explain enlightenment. It is just a word to indicate something beyond, something very, very far beyond the normal human condition.
Of course I litter the public highway. Every chance I get. After all, it's not the beer cans that are ugly; it's the highway that is ugly.
I knew that there was an aspect to this story that was beyond the typical and that it was something very important about America, about our culture, and about bringing a story to a new generation that perhaps didn't know the details of it, (and) hadn't had the visceral experience that this film is [42].
They who set an example make a highway. Others follow the example, because it is easier to travel on a highway than over untrodden grounds.
Federal gas tax revenues that are paid into the trust fund by highway users should be used for programs that benefit highway users.
I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
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