A Quote by Ingmar Bergman

The theater is like a faithful wife. The film is the great adventure - the costly, exacting mistress. — © Ingmar Bergman
The theater is like a faithful wife. The film is the great adventure - the costly, exacting mistress.
I enjoy going back and forth between plays and novels. It`s like having a wife and a mistress. Books are the wife; plays, the mistress.
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
Don't say 'wife.' I'm your mistress. Wife's such an ugly word. Your 'permanent mistress' is so much more tangible and desirable… .
In France, for example, it is not unusual for a husband to have a wife and a mistress. However, if in addition to these two he's also having a fling with a fringe tootsie, both the wife and the mistress are outraged and the combination lover, husband, and cheat may well wind up with a large French bread knife between his ribs.
Liberty is the most jealous and exacting mistress that can beguile the brain and soul of man.
American Odyssey' will be an amazing adventure inside the musical walls of our cities. It's theater, and radio has always been great theater to me.
A husband can commit no greater blunder than to discuss his wife, if she is virtuous, with his mistress; unless it be to mention his mistress, if she is beautiful, to his wife.
The air is an extremely dangerous, jealous and exacting mistress. Once under the spell most lovers are faithful to the end, which is not always old age. Even those masters and princes of aerial fighting, the survivors of fifty mortal duels in the high air who have come scatheless through the War and all its perils, have returned again and again to their love and perished too often in some ordinary commonplace flight undertaken for pure amusement.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I like to go back and forth between film and theater. When I do film, I miss theater and vice versa.
Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
England is my wife, America my mistress. It is very good sometimes to get away from one's wife.
As I've explained to my wife many times, you have to kill your wife or mistress to get on the front page of the papers.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
A wife who is 85 percent faithful to her husband is not faithful at all. There is no such thing as part-time loyalty to Jesus Christ.
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