A Quote by Ingmar Bergman
Either I did away with that fear through writing, or in the course of writing, I discovered it was no longer so intrusive or threating. The bottom line is, it's gone.
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Here's the bottom line; writers write. Sometimes words flow easily. Sometimes it's like sloughing through mud. Either way a professional writer keeps writing.
I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.
Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
The bottom line is I'm writing to save the dead. I'm writing to save the people I have lost, some of whose bodies are still walking around.
I'm not aware of a cadence when writing, but I hear it after. I write in longhand, and that helps. You're closer to it, and you have to cross things out. You put a line through it, but it's still there. You might need it. When you erase a line on a computer, it's gone forever.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.
Writing is, of course, a solitary occupation. But for many writers, myself included, it's through writing that we make certain vital connections.
When I'm writing a novel or doing other serious writing work, I do it on a schedule that dictates writing either 2,000 words a day or writing until noon. After I hit whichever mark comes first, then I can give my attention to everything else I have to do.
As an actor, I go where the good writing is. That's the bottom line.
When you get immersed in whatever you're writing, the world does suddenly get so filtered through what you're writing. And then of course what you're writing then filters the world right back.
My writing process is consecutive, like, 'mad scientist' crazy. It's not totally writing something that rhymes or even writing a rap necessarily. Sometimes it's just writing down stuff that I'm going through.
As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
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