A Quote by Ingmar Bergman
There hasn't been anyone with whom I can discuss my scripts. Even when the film is done, there is no one I can show it to who gives his sincere opinion. There is silence.
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I have my own set of friends with whom I discuss better story ideas, views and scripts. So I channelize my time in a productive way.
Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.
My father, for his part, was not a man to begrudge anyone a divergent opinion; he'd have been fine if I had written some articles disagreeing with his policies, or even given interviews, as long as I was respectful and civil.
Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.
Dad has been my guiding force. Whenever I am confused about choosing a script, I discuss it with him. However, I have said 'no' to scripts he agreed to, while he has said 'yes,' too, for scripts I have turned down. We have this mutual understanding that works between us.
Real ballers who have been there and done that, I respect their opinion. But if you haven't been there and done that, you're entitled to your own opinion but I'm not really thinking too deep into it.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
You should go from place to place recovering the poems that have been written for you to which you can affix your signature. Don't discuss these matters with anyone. Retrieve. Retrieve. When the basket is full someone will appear to whom you can present it.
That's the one issue can't discuss.You can discuss abortion back and forth, discuss gun control back and forth. But you can't have a dissenting opinion in America (politics) on Israel.
Children are prepared for democracy by being led to discuss current events without first learning the systematic subjects (politics, economics, history) which are necessary in order to discuss them. The Mole effect is to substitute slogans and superficial opinion for considered individual thought. And the opinion is that of the lowest common denominator of the group.
Keep anyone with whom you can read in silence.
It is always painful fo part from people whom one has known for a very brief space of time. The absence of old friends one can endure with equanimity. But even a momentary separation from anyone to whom one has just been introduced is almost unbearable.
When I hear another express an opinion which is not mine, I say to myself, he has a right to his opinion, as I to mine. Why should I question it? His error does me no injury, and shall I become a Don Quixote, to bring all men by force of argument to one opinion? ...Be a listener only, keep within yourself, and endeavor to establish with yourself the habit of silence, especially in politics.
Working with Bernardo Bertolucci, director of Stealing Beauty was my first experience of being able to communicate with someone whom I'd think of as a mentor, who'd ask me my opinion and trust me, and believe in me and allow me to do the things that I wanted to do. The film itself was also rare in terms of character most of the scripts I've read are the story of some man, and there might be a love interest or a big woman's part.
there is no independence and pertinacity of opinion like that of these seemingly soft, quiet creatures, whom it is so easy to silence, and so difficult to convince.
Film is really the one art form that can effectively use silence. Music and theater can play with silence, but they can't sustain silence without losing energy, whereas film can go into a silent mode and stay there for minutes at a time.
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