A Quote by Ira Sachs
Utopia is something that I think about in connection to an experience I had when I was a kid.
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Connection is why we're here; it is what gives purpose and meaning to our lives. The power that connection holds in our lives was confirmed when the main concern about connection emerged as the fear of disconnection; the fear that something we have done or failed to do, something about who we are or where we come from, has made us unlovable and unworthy of connection.
I think I had a fur coat that someone bought me from Portobello Market back in the 1960s, but I think as soon as you think about it, what it is you're wearing, make that connection, then you realise it's just not right. I don't lecture people about it, but it's not something I'd ever wear.
I don't wish to defend everything that has been done in the name of Utopia. But I think many of the attacks misconceive its nature and function. As I have tried to suggest, utopia is not mainly about providing detailed blueprints for social reconstruction. Its concern with ends is about making us think about possible worlds. It is about inventing and imagining worlds for our contemplation and delight. It opens up our minds to the possibilities of the human condition.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
I'm fascinated by the First World War because it was supposed to be the war to end all wars, and it was the biggest conflagration that this particular planet had seen. There was a lot of talk about utopia and how it was possible, and then, because of these events that for one reason or another couldn't be stopped, the idea of utopia went out the window.
I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
I think there's something about the Irish experience - that we had to have a sense of humor or die.
A lot of times, when you're seeing something that you've done, you're thinking about the experience you had making it, not about the experience of the product.
If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
That democratic socialism, the great utopia of the last few generations, is not only unachievable, but that to strive for it produces something so utterly different that few of those who wish it would be prepared to accept the consequences, many will not believe until the connection has been laid bare in all its aspects.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
I'm friends with a lot of actresses, but my 'SNL' friends are my closest. The experience of working there is something of a battleground, a great one, but complicated. I think there's a deep connection for having survived that workplace.
I didn't want the lyrics to be about specific things in my life, I wanted them to be about generalised experiences I'd had. So when I'm writing about relationships or somebody leaving you or something, a lot of lyrics are partly about failed relationships I'd had, but they were also about my Dad, and being abandoned as a kid.
I'm not a big fan of religion for that reason. But I am a true believer in God, and I have great faith, and I think that a spiritual connection with something is a really important part of our experience. That doesn't necessarily have anything to do with the church.
My mom, how she raised me, my brothers, my cousins, when I was a kid with one bedroom for 12 people... You think about all that, and God blessed me to get somewhere and do something I love and do something I've done since I was a kid. And blessed me with the talent to do it.
It's a weird experience when you're just trying to talk openly about how you think psychedelic drugs and marijuana are beneficial, or a lot of different drugs, especially plant-based ones, can be beneficial. Especially those ones that have some connection to organic life, I feel like you can learn something from them, from mushrooms, from peyote, from marijuana. They can be used as a tool.
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