A Quote by Ira Sachs
I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.
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The whole idea of 'Death Line' was to kind of highlight class distinctions in England more than to make a scary movie, and I just kind of wrapped my political treatise of the class distinctions in England in this movie.
I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.
I think Black Nativity movie has a very clear message. It's about a family in crisis facing some of the very familiar struggles we face in our communities. It's really about love, redemption, forgiveness, faith and family, the things that have gotten us through so many hard times, and that continue to get us through them. When times are hard, we need each other.
I think we have to really focus on the issues much more than we may have in the past. I think we have to seek to create coalitional strategies that go beyond racial lines. We need to bring black communities, Chicano communities, Puerto Rican communities, Asian American communities together.
I think plays have nothing to do with one's own personal life. Not in my experience, anyway. The stuff of drama has to do, not with your subject matter, anyway, but with how you treat it. Drama includes pain, loss, regret - that's what drama is about!
I'm really interested in mythology and folklore. I'm interested in moralities, why we're here, faith... all of these bigger questions that I think we can place in films that allow us to question and give us a safe place to feel. Those types of questions can pop up in all sorts of different types of films - drama, comedy, action movie.
'A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
When I dig around in the roots of how we imagine ourselves, how we govern, how we live together in communities - how we treat one another when we are not being stupid - what I find is deeply Aboriginal.
I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.
The anarchist philosophy is that the new social order is to be built up by groupings of men together in communities - whether in communities of work or communities of culture or communities of artists - but in communities.
We need candidates who are deeply rooted in their communities, working-class people who understand the struggles their neighbors face. That is the future of the Democratic Party.
Most middle-class people I know don't really live like me. Middle-class people worry a lot about money. They worry a lot about job security, and they do a lot of nine-to-five stuff.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
Human Needs Project is really about how to come up with a different approach to helping, really focusing on the dignity of people living in communities you are not a part of, and how to approach these communities with help, but more look at it as an investment and a collaboration with these communities rather than, 'Here comes the white savior!'
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