A Quote by Ira Sachs

All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment. — © Ira Sachs
All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment.
All history is defined by shifting modes of reality and time and how things change. That’s what I love about cinema. It changes in the moment.
Reality changes; in order to represent it, modes of representation must change.
As an improviser you need to experience the moment- and that includes everything in the moment. Observe the people around you-the bandleader, the bartender-what they wear, how they deal with people, the simple continuity of their presence. As you do that you'll see how you affect them , and you'll play and act accordingly. You need to study the reality of the moment, and that is very rarely about studying modes and intervals.
People don't change very much, and the things life ends up being about don't change from generation to generation. Life is about love. And people's stories don't really change. Your environment changes dramatically, technology changes, but people don't change, in the way our minds work.
Audiences are shifting. Platforms are shifting. Ages are shifting. It's better to be in charge of change than to have to react to change.
Climate change is sometimes misunderstood as being about changes in the weather. In reality it is about changes in our very way of life.
Audiences change because life changes. Countries change geographically, climatically, socially and morally. Many things happen, and cinema, in a sense, reflects what's happening in the world.
If the many and the One be indeed the same Reality, then it is not all modes of worship alone, but equally all modes of work, all modes of struggle, all modes of creation, which are paths of realization. No distinction, henceforth, between sacred and secular. To labour is to pray. To conquer is to renounce. Life is itself religion. To have and to hold is as stern a trust as to quit and to avoid.
For time flows on, and if it did not, it would be a bad prospect for those who do not sit at golden tables. Methods become exhausted; stimuli no longer work. New problems appear and demand new methods. Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new.
So many of the things I talk about in 'Reality Hunger' seem to be the things that 'The Thing About Life' does - things like risk, contradiction, compression, mixing modes of attack from the memoristic gesture to data-crunching.
Writing has power, but its power has no vector. Writers can stir the mind, but they can't direct it. Time changes things, God changes things, the dictators change things, but writers can't change anything.
If you think about Cisco's offerings like TelePresence, where it's an immersive way to communicate for businesses to connect and have conversations in a real-time immersive mode, how that will change health care, how that'll change retail business, how that'll change actually travel. There's lots of changes that we will see going forward.
I think that the moment we're living in offers the best opportunity we've had in a long time in that a lot of things having to do with identity politics are being talked about in poems. The only problem there is that a lot of the time these are being talked about in confessional modes.
Economics should be defined in terms of what it is about. It should be about how people produce things, how people exchange them, how people earn income, how they pay taxes, how the government provides infrastructure with tax revenue, and how it conducts monetary policy. The subject has to be defined in terms of the object of inquiry.
But the history of the changes produced by a universal idea is not a history of changes in the individual, but of changes brought about by the successive efforts of millions of individuals in the course of many generations.
My comedy is about, lift yourself. See reality. Change the reality if you don't like it. But if you can't, then deal with things as they are because crying about it isn't going to change anything.
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