A Quote by Ira Sachs
Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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Reality cannot be photographed or represented. We can only create a new reality. And my dilemma is how to make art out of a reality that most of us would rather ignore. How do you make art when the world is in such a state? My answer has been to make mistakes, but when I can, to choose them. We are all guilt victims choosing mistakes, and as Godard said, the very definition of the human condition is in the mise-en-scéne itself.
Reality is not so much what happens to us; rather, it is how we think about those events that create the reality we experience. In a very real sense, this means that we each create the reality in which we live.
I believe every time you film anybody, you create reality with that person - whether it's fiction or nonfiction. If you acknowledge that filming is an occasion where people express things they might not otherwise express, that offers a much more insightful analysis of why documentaries - even of the fly-on-the-wall variety - are powerful. I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.
We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
You create your reality. You will find this freedom by learning
to look inward, and by realizing that you create the reality that
you know. There are no exceptions to this rule. Your successes
and your failures alike, you have yourselves created. If you
would but understand, this is the truth that would make you free.
I believe every time you film anybody, you create reality with that person - whether it's fiction or nonfiction.
The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusion. It makes them impossible. It is a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.
Reality itself is [made up of] chance processes linked to sets of rules - this is what drives the world, the universe, and just about anything a human being can imagine.
We live within this reality we create, and we're quite unaware of how we create the reality.
The Western approach to reality is mostly through theory, and theory begins by denying reality - to talk about reality, to go around reality, to catch anything that attracts our sense-intellect and abstract it away from reality itself. Thus philosophy begins by saying that the outside world is not a basic fact, that its existence can be doubted and that every proposition in which the reality of the outside world is affirmed is not an evident proposition but one that needs to be divided, dissected and analyzed. It is to stand consciously aside and try to square a circle.
So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.
You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.
I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
Film is a truly magical medium. You can create illusions of reality, make people think they've seen things that they really haven't - like blowing a guy's head off with a shotgun.
We don't create a fantasy world to escape reality. We create it to be able to stay.
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