A Quote by Ira Sachs
Without community events like NewFest, I don't think we'd have a queer cinema in America.
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Normally when you go to a queer space the people often look like you, they are the same age as you and so on, but at Mardi Gras and at queer events in general, everybody is different, everybody comes together. And that is what I love about Pride and Mardi Gras and those sort of events.
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
It's really great to see the queer landscape really change to include everybody and make the rest of the world understand that we're not just one or two things. There's so much about the queer community that needs to be represented.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
We still live in a country where there's disproportionate violence faced by our community, especially trans people and trans people of color. I think activism within the queer community continues to need to focus on those issues first.
As we watch the world today, sometimes it seems that we`re at the mercy of events instead of shaping events. And a strong America`s essential to shape events, and a strong America, by the way, depends on a strong military.
I'm still figuring it all out, and I think everyone is. And that's kind of the point is that there's no fixed identity, especially for like people in the queer community. It's going to be an ongoing journey, but yeah, I hope that sharing it helps people.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
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