A Quote by Iris Apfel

I used to collect frames. I've been collecting accessories since I was 11-years-old, creeping around flea markets and sales and everything. Whenever I saw unusual eyeglass frames, I bought them.
I have an unusual hobby: I collect pictures of people I don't know. It started when I was a kid growing up in South Florida, the land of junk stores, garage sales, and flea markets, as a kind of coping mechanism.
Even if you have $20,000 to buy an item, you still try to get a good price at antique stores. I collect furniture, rugs, paintings, frames. It's my hobby to go around to shops and markets.
48 frames per second is something you have to get used to. I've got absolute belief and faith in 48 frames... it's something that could have ramifications for the entire industry. 'The Hobbit' really is the test of that.
I started collecting couture when I was about 10 or 11 years old, and the very first piece I bought was a Balenciaga suit from 1962.
Be it 120 frames or 24 frames or film or theatre, you're trying to be a fully formed human being and trying to be honest.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.
I read 'Tiger Beat' and 'Bop' from the time I was 9, 10, 11 years old. I loved movies. I saw 'E.T.' seven times. I used to yell at people who called me when 'L.A. Law' was on because they should know better. So I just have been so in love with the business of Hollywood since I can remember.
Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shoot ten frames, on others ten seconds, still on others ten minutes. Or I shoot nothing. Walden contains material from the years 1964-1968 strung together in chronological order.
View life as a series of movie frames, the ending and meaning may not be apparent until the very end of the movie, and yet, each of the hundreds of individual frames has meaning within the context of the whole movie.
We need to get away from labels. That's the way people talk in Washington, D.C. - through labels, through ideological frames, through partisan frames.
My first collection was made from sheets that my grandmother, who lived in Normandy, had been collecting for a long time. There are a lot of flea markets in that part of France, and she knew what I liked.
I've always been attracted to unusual eyewear. I thought glasses were an interesting accessory, depending on the shape of your face. People would always ask me, "Why are your frames so large?" And I would say, "The bigger to see you!" And that shut them up.
I collect travel alarm clocks. I was in a flea market in France once, in 1994, and I opened up this beautiful Jaeger-LeCoultre folding eight-day winding clock folded into a beautiful case, and I went, 'Wow, man.' And I've been collecting travel alarm clocks since 1994.
What we already know frames what we see, and what we see frames what we understand.
Jean-Luc Godard said that cinema is the truth 24 frames a second. I think cinema is lies 24 frames a second.
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