A Quote by Iris Chang

I may attempt a novel. I think that no matter what you write, it requires being honest with oneself, and you have to pull yourself out of the whirlwind of daily life. — © Iris Chang
I may attempt a novel. I think that no matter what you write, it requires being honest with oneself, and you have to pull yourself out of the whirlwind of daily life.
No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel.
I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Character is something each one of us must build for himself, out of the laws of God and nature, the examples of others, and - most of all - out of the trials and errors of daily life. Character is the total of thousands of small daily strivings to live up to the best that is in us. Character is the final decision to reject whatever is demeaning to oneself or to others and with confidence and honest to choose the right.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.
I feel that whatever virtues the novel may have are very much connected with the limitations you mention. I am not writing a conventional novel, and I think that the quality of the novel I write will derive precisely from the peculiarity or aloneness, if you will, of the experience I write from.
Telling a true story about personal experience is not just a matter of being oneself, or even or finding oneself. It is also a matter of choosing oneself.
No strict schedule, but I write nearly daily in my journal. Sometimes I go back and pull out things to give to my characters and my settings in books that I write. But the books themselves are not scheduled. I work on a book when it comes to me, usually about one a year. I spend a lot of time working on it in my head. But getting it published is another matter. So, I have a lot of unpublished manuscripts.
Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.
If we desire to end our days in joy and comfort, let us lay the foundation of a comfortable death now betimes. To die well is not a thing of that light moment as some imagine: it is no easy matter. But to die well is a matter of every day. Let us daily do some good that may help us at the time of our death. Every day by repentance pull out the sting of some sin,that so when death comes, we may have nothing to do but to die. To die well is the action of the whole life.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I think part of becoming a wonderful actor and part of defining your craft is defining yourself and being confident in yourself, so when the hard knocks come, and you don't get a job for five years, and your ego is being kicked around, you can pull yourself out of it.
By being with yourself, the 'I am', by watching yourself in your daily life with alert interest, with the intention to understand rather than judge, in full acceptance of whatever may emerge, because it is there, you encourage the deep to come to the surface, and enrich your life and consciousness with its captive energies.
I think you're always policing yourself by trying to do what you think would be "cool" and accepted by other people, until you start to figure out who you really want to be. Growing up is an ongoing push-and-pull of you being yourself and you performing to what society expects you to be.
What makes me happy about the show, and what I hope people take away from it is: "Just be yourself." I know that's supremely corny, but I really think that just being honest with yourself and being honest with everyone around you is the best way to live.
Playing with various approaches may be due to resistance to going within, to the fear of having to abandon the illusion of being something or somebody in particular.Of all the affections the love of oneself comes first. Light and love are impersonal.When you do not think yourself to be this or that, all conflict ceases. Any attempt to do something about your problems is bound to fail, for what is caused by desire can be undone only in freedom from desire. You cannot be rid of problems without abandoning illusions.
One may always attempt as much insight, love, freedom of thought and expression, justice and tolerance as possible for oneself and the very few people who share one's truest life. To be a 'free lord' in secret is better than being a public slave, a willing accomplice of repression and injustice.
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